A combined philosophical and literary approach to intellectual history and the arts showing the extent to which Renaissance cognitive processes and symbol systems were mnemonic in both conception and application, often based on the relation of body and soul over, and through, time.
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This book is a cultural study of the ways men and women in early modern England confronted, accommodated, and paid tribute to mortal life and certain death. Drawing on prose and poetry, painting and statuary, social practices and religious rites, William Engel reopens central questions about Renaissance habits of thought. He explores how the metaphorics of that period signaled and enacted a continual revelation of mortality: the death of the body (figured as a kind of vehicle) and the eternality of the soul (that which was to be transported). Engel argues that early modern metaphorics was essentially mnemonic and emblematic, grounding itself in the relation of body and soul. Building on the work of Benjamin, Heidegger, Derrida, Baudrillard, and Eliade, the book provides contemporary readers with a key for recovering and understanding the critical assumptions underlying a mnemonically oriented principle of aesthetics.
William E. Engel is an independent scholar, freelance tutor and author of Education & Anarchy. He has been Research Fellow at the Huntington Library, Newberry Library, and Folger Shakespeare Library; Visiting Scholar at Harvard University; and is currently Visiting Professor at The University of the South.
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