In the mid-1950s, Robert Rauschenberg began a series of radical experiments with what he called 'combines' - works that fused cast-off items like quilts of rubber tyres with traditional supports. Canyon (1959), one of the artist's best-known combines, is a large canvas bearing paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large, stuffed bald eagle, wings outstretched, carrying a drooping pillow. Leah Dickerman explores the legacy of this landmark work and places it within a key period in Rauschenberg's groundbreaking career.
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Soft cover. Condition: New. 1st Edition. Softcover volume, measuring approximately 7.5" x 9.25", is new, still in shrinkwrap. 48 pages. "In the mid-1950s, Robert Rauschenberg began a series of radical experiments with what he called 'combines' - works that fused cast-off items like quilts of rubber tyres with traditional supports. Canyon (1959), one of the artist's best-known combines, is a large canvas bearing paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large, stuffed bald eagle, wings outstretched, carrying a drooping pillow. Leah Dickerman explores the legacy of this landmark work and places it within a key period in Rauschenberg's groundbreaking career.". Seller Inventory # ABE-1723686056776
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