An exploration of Davis's propensity for continually reworking themes and motifs throughout his career.
"synopsis" may belong to another edition of this title.
Davis's "amazing continuity" emerges as the underlying theme of this volume, published to coincide with the first retrospective exhibition of the artist's work (175 pieces) in over 25 years, held at the Metropolitan Museum of Art. Seven essayists trace Davis's propensity for continually reworking themes and motifs throughout his 55-year-long career. Aspects of his oeuvre that have received little scholarly attention, such as the early landscapes of 1909-20, the Paris paintings of the late 1920s, and works of the 1940s through the 1960s, are examined in the context of such concurrent movements as Abstract Expressionism, Pop Art, and color field painting. The ciphering and encoding that are integral to his work continue to challenge viewers. A major work on a major American artist.
- Russell T. Clement, Brigham Young Univ. Lib., Provo, Ut .
Copyright 1992 Reed Business Information, Inc.
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Soft cover. Condition: Fine. 1991. Metropolitan Museum of Art. 4to. Softcover. Fine. Seller Inventory # K3426
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Softcover exhibiton catalog, 334 pages, good condition: two long creases to upper right corner of cover; light edgewear and yellowing to spine, internally fine; no internal marks. Foreign shipping may be extra. Seller Inventory # StDaNe20
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Condition: Fair. Paperback, numerous (full page) colour and b/w illustrations, (including photographs), 4to.; Slightly foxed on cut; foxing inside (mostly in the beginning and in the end). Seller Inventory # 336036-WB8
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Soft cover. Condition: Near Fine. 1st Edition. First Edition. 12 x 9 inches. 333 pp. b/w and color illustrations throughout. Illustrated wraps. Toned, light creasing to spine. Near Fine. Seller Inventory # 4170
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Paperback. Condition: Very Good. 333 pages, illustrations (some colour); 31 cm. Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, November 23, 1991 to February. 16, 1992 and at the San Francisco Museum of Modern Art, March 26 to June 7, 1992. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "A volume on Stuart Davis, an American artist of the 20th century. He forged a personal and varied iconography inspired by the upheaval of the city, the tranquility of the seaside, industry and the automobile, cafe society, sports, jazz music and his year-long stay in Paris." - Publisher. *** CONTENTS: Stuart Davis and modernism: an overview, by Diane Kelder; The rewards and disappointments of the Ashcan School: the early career of Stuart Davis, by Robert Hunter; "Becoming a modern artist": the 1920s, by Karen Wilkin; Stuart Davis in the 1930s: a search for social relevance in abstract art, by Lowery Stokes Sims; Stuart Davis in the 1940s, by John R. Lane; Stuart Davis in the 1960s: "the amazing continuity", by William C. Agee; Stuart Davis's word-pictures, by Lewis Kachur. Size: 4to. Seller Inventory # 107124
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Softcover, 334 pages, very good condition: owner's blindstamp to first and last page; no other internal marks. Foreign shipping may be extra. Seller Inventory # StDaNe25
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