To celebrate the 50th anniversary of Howl and Other Poems, with nearly one million copies in print, City Lights presents the story of editing, publishing, and defending Allen Ginsberg’s landmark poem within a broader context of obscenity issues and censorship of literary works.
This collection begins with an introduction by publisher Lawrence Ferlinghetti, who shares his memories of hearing “Howl” first read at the 6 Gallery, of his arrest, and the subsequent legal defense of Howl’s publication. Never-before--published correspondence of Ginsberg, Ferlinghetti, Kerouac, Gregory Corso, John Hollander, Richard Eberhart, and others provides an in-depth commentary on the poem’s ethi-cal intent and its social significance to the author and his contemporaries. A section on the public reaction to the trial includes newspaper reportage, op-ed pieces by Ginsberg and Ferlinghetti, and letters to the editor from the public, which provide fascinating background material on the cultural climate of the mid-1950s. A timeline of literary censorship in the United States places this battle for free expression in a historical context.
Also included are photographs, transcripts of relevant trial testimony, Judge Clayton Horn’s decision and its ramifications, and a long essay by Albert Bendich, the ACLU attorney who defended Howl on constitutional grounds. Editor Bill Morgan discusses more recent challenges to Howl in the late 1980s and how the fight against censorship continues today in new guises.
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Bill Morgan is a painter and archival consultant working in New York City. He is the author of The Beat Generation in San Francisco: A Walking Tour of Jack Kerouac's City and a new biography of Allen Ginsberg, I Celebrate Myself.
Adult/High School—This compilation of essays, correspondence, court transcripts, memoirs, newspaper accounts, and photographs concerning the 1956 publication of Allen Ginsberg's Howl and Other Poems adds up to a fascinating account of one of the most significant cases of censorship in U.S. history. The editors do a superb job of setting the stage leading to the court case and of providing thoughtful testimony to its lasting importance. Among the many helpful features: a chronology of Howl the book and Howl the case; another of censorship in general; reproductions of several San Francisco Chronicle articles, editorials, and letters to the editor; and the complete text of the poem. By far, though, the most compelling parts of the book are the "Howl Letters" and large sections of the official transcript from the 1957 trial. Most of the correspondence is between Ginsberg and Lawrence Ferlinghetti, but there are letters to and/or from Jack Kerouac, Gregory Corso, John Hollander, Richard Eberhart, Louis Ginsberg, and Neal Cassady. These letters provide a window into the meaning and significance of Ginsberg's great poem. Besides Ginsberg and the chief defense lawyer, J. W. Ehrlich, the other person who shines brightly in these pages is Ferlinghetti, a longtime champion of free expression. This book is a gold mine for reports on censorship, especially those in need of primary-source material.—Robert Saunderson, Berkeley Public Library, CA
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