In this classic Depression-era Texas novel, three wayfaring comrades ask for no pity as they travel the country looking for signs from the "Higher Powers" - and for whiskey and women. As Eddie, the narrator, muses "the Higher Powers had meant us to live like wild free studhorses roaming the face of the earth and gladdening whatever hearts we run across."
Finding their way to a camp under a Brazos River bridge, Eddie, Mike and Jimmy survive on windfalls they find, con, or take outright. Their ribald adventures sparkle with humorous philosophy and wry social satire.
One can "scarcely find a book that is more politically incorrect than Walls Rise Up," writes Judyth Rigler in the foreword, "yet the reader . . . finds it easy to laugh at descriptions of shiftless hoboes, alcoholics, loose women, dimwitted giants, liars, thieves and the like."
First published in 1939 by Doubleday Doran, this reprint includes a little known, previously unpublished chapter that Perry had intended for a future edition.
"synopsis" may belong to another edition of this title.
In this classic Depression-era Texas novel, three wayfaring comrades ask for no pity as they travel the country looking for signs from the "Higher Powers" - and for whiskey and women. As Eddie, the narrator, muses "the Higher Powers had meant us to live like wild free studhorses roaming the face of the earth and gladdening whatever hearts we run across". Finding their way to a camp under a Brazos River bridge, Eddie, Mike and Jimmy survive on windfalls they find, con, or take outright. Their ribald adventures sparkle with humorous philosophy and wry social satire. One can "scarcely find a book that is more politically incorrect than Walls Rise Up", writes Judyth Rigler in the foreword, "yet the reader . . . finds it easy to laugh at descriptions of shiftless hoboes, alcoholics, loose women, dimwitted giants, liars, thieves and the like". First published in 1939 by Doubleday Doran, this reprint includes a little known, previously unpublished chapter that Perry had intended for a future edition.
This new edition of Perry's 1939 novel makes available to a new generation one of the most important works of the Great Depression. (Perry went on to receive a 1941 National Book Award for Hold Autumn in Your Hand .) The story centers on three hoboes, Jimmy, Mike and Eddie, dispossessed drifters in the Southwest. Jimmy is the spiritual and intellectual leader of the trio. Eddie, who narrates, and Mike are less bright but no less good-hearted; they adore Jimmy and will beg and steal for him. In a pinch, they'll even work so he can remain idle. The trio's fortunes turn upward when a Texas freight train on which they have ``borrowed'' a ride hits another hobo and kills him. Jimmy pretends to be the man's brother, and the group takes over his comfortable camp, complete with fishing trot lines teeming with fish they can sell and a nearby farm that seems just plain eager to share its produce. The wildly comic novel follows their triumphs and mishaps with a singular verve, but there is much to shock modern sensibilities. Race relations have changed considerably since the book was written: the boys ``inherit'' a black African named only Oof. There is also a fair amount of sexually explicit material. On the other hand, as the foreword makes clear, some passages were considered too shocking at the time of the original publication; scenes skewering the hypocrisy of organized religion were deleted. One of these, an entire chapter dealing with a sacrilegious sermon preached by Jimmy, has been restored in the current edition. Perry died in 1956. This volume is #21 in the TCU Press Texas Tradition series.
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