Threading Time: A Cultural History of Threadwork - Hardcover

Bausum, Dolores

Hardcover

ISBN 10: 0875652417 ISBN 13: 9780875652412

Publisher: TCU Press, 2001

Synopsis

In a ground-breaking survey taken primarily from literary sources, Threading Time reveals the essential link between the human spirit and the art of connecting threads. Whether looking at stories about clothing made in the Garden of Eden, a medieval manuscript, or modern fiction and poetry, the author traces the importance to humankind of a craft that has never ceased since it began at least forty thousand years ago. The author's conception of threadwork throughout is generic, including all kinds of work done with thread, yarn, or fiber.

In the author's long-range view, threadwork becomes more than a garment, a rug, or a tapestry on the wall. It is often a bond shared with contemporaries and with ancestors, a link between humans and cultural beliefs, even a tie between humankind and the Divine. This age-old association of interwoven fibers and humanity is found today in a metaphor that is used to convey the concept of shared traditions, values, and beliefs: the fabric of society. A rip in the fabric can be alarming; mending it is necessary to avert instability and even chaos.

Threading Time opens with stories from biblical traditions that continue to influence society. Next come portrayals of threadworkers in Greek and Roman myths and those suggested on the famous marble frieze carved on the Parthenon of Athens. The author then turns to Piers Plowman, Chartres Cathedral's windows, the Bayeux Tapestry, and other textile evidence from the medieval era; she suggests how threadwork in those centuries became identified with spiritual faith and belief in miracles.

An illustrated French manuscript and the Apocalypse Tapestry highlight a discussion of changes in the lives of cloth workers that occurred during the Renaissance. Works by two Germans—playwright Gerhart Hauptmann and artist Käthe Kollwitz—illustrate labor struggles that persisted for centuries in textile production. Selections of poetry by English poets such as Robert Burns and William Blake provide glimpses of protests made by some against economic forces disrupting the lives of textile workers during the Industrial Revolution.

Novels by Nathaniel Hawthorne, Edith Wharton, and D. H. Lawrence suggest that threadwork activity itself may arouse, release, or inhibit strong feelings, even erotic passion, between men and women. These novels also demonstrate that needlework and its products can be used to stigmatize, ostracize, or control an individual. Both fictional and real-life accounts follow in a discussion of works by three nineteenth-century writers—Charles Dickens, Louisa May Alcott, and Mary Boykin Chesnut—who illustrate the power of threadwork during wartime to transform solitary individuals into patriots and lift the morale of civilians who share common beliefs and objectives.

Novels by Edith Gaskell, Edith Wharton, and Theodore Dreiser, as well as several memoirs, offer examples of textile work that individuals have done in peacetime when their daily survival hung by a thread. Finally, the author turns to twentieth-century American authors Margaret Mitchell, Alice Walker, Anna Quindlen, and John Updike for glimpses into families whose members are linked by threadwork. As an original view of threadwork written from a broad chronological perspective, Threading Time will appeal to textile artisans and collectors. It will also interest lay readers of literature, women's history, and cultural history.

About this title

About the Author

Dolores Bausum and her husband, Henry, a retired professor of history from the Virginia Military Institute, traveled extensively for many years. During these travels Bausum found herself increasingly interested in collecting fabric folk art. In 1985 she began designing quilts and locating superior quilters, eventually establishing a shop, Quilters of Virginia, in Lexington, Virginia. Works from her shop were included in the U.S. State Department's Art in Embassies Program and displayed abroad in two American embassy residences. The Bausums make their home in Beloit, Wisconsin.

From the Inside Flap

"Threading Time" traces the history of one of the world's oldest and most enduring human endeavors. In the author's long-range view, threadwork becomes more than a garment, a rug, or a tapestry on the wall. It is often a bond shared with contemporaries and with ancestors, a link between humans and cultural belief, even a tie between humankind and the Divine. The close association of interwoven fibers and humanity is found today in a metaphor that is used to convey the concept of shared traditions, values, and beliefs: the fabric of society. A rip in the fabric can be alarming; mending it is necessary to avert instability and even chaos.

This is a book about both art and people. The author draws on stories about threadworkers from ancient literature...and from more recent works by such authors as Nathaniel Hawthorne, Theodore Dreiser, Margaret Mitchell, and John Updike....Artistic images from classic sculpture, windows from the Cathedral at Chartres, paintings by such masters as Vermeer and Monet...illustrate the significence of threadwork.

Reviews

Theorizing that needlework represents a variety of life-sustaining bonds among individuals, generations, and traditions, Bausum investigates the role of threadworkers and their creations in human culture by surveying a broad range of literary sources containing passages related to needlecrafts. She considers threadwork from the perspectives of religion, myth, warfare, art, and technology, ranging from biblical references to clothing made in the Garden of Eden, to portrayals of threadworkers in Greek and Roman myths and Homer's The Iliad and The Odyssey, to references to textiles in Charles Dickens's A Tale of Two Cities and Louisa May Alcott's Little Women. After briefly reviewing the plot of each literary work, Bausum notes references to cloth, clothing, fashion, and characters working on needlework and provides some historical background. The result, while broad, is not very deep or rewarding. A more scholarly evaluation of women's lives and their social roles through the history of needlework is Rozsika Parker's The Subversive Stitch: Embroidery and the Making of the Feminine (1989). Not recommended. Judith Yankielun Lind, Roseland Free P.L., NJ
Copyright 2001 Reed Business Information, Inc.

Edition details

• Publisher: TCU Press
• Publication date: 2001
• Language: English
• ISBN 10: 0875652417
• ISBN 13: 9780875652412
• Binding: Hardcover
• Edition number: 1
• Number of pages: 218