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Painting of the High Renaissance in Rome and Florence (Two Volume Set)
Seller: From Away Books & Antiques, Greenville, ME, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Fine. FINE COPIES of the Two Volume Hacker Set. (Hacker Art Books, NY -1985) Location: R25. Seller Inventory # 000766
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Painting of the High Renaissance in Rome and Florence (Two Volume Set)
Published by
Hacker Art Books, New York, 1985
ISBN 10: 0878173013
ISBN 13: 9780878173013
Used
Hardcover
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: Fine condition. Newly revised edition. Volume I: Text. Volume II: Plates, illustrated in black-and-white. Bound in publisher's original light orange cloth. Seller Inventory # 9008755
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Painting of the High Renaissance in Rome and Florence
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Used-Very Good. Revised. Illus. cloth, no dj. (as issued). Slight shelf-wear, else very sound, with clean internals. 2 volumes (complete). Seller Inventory # 1986305
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Painting of the High Renaissance in Rome and Florence Newly Revised Edition 2 Volumes Text and Plates
Seller: ANARTIST, New York, NY, U.S.A.
Seller rating 5 out of 5 stars
Two hardcover books without dustjackets as issued; 654 and 514 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra for this item. Seller Inventory # PaFrHa75
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Painting of the High Renassance in Rome and Florence: Two volumes
Seller: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Hacker. Two Volumes. Newly revised edition. 654pp., 700 plates. As new, still in publisher's shrinkwrap. Seller Inventory # 221654
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Painting of the High Renaissance in Rome and Florence
Published by
Hacker Art Books 1985, New York, 1985
ISBN 10: 0878173013
ISBN 13: 9780878173013
Used
Hardcover
Seller: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, United Kingdom
Seller rating 5 out of 5 stars
Decorative Cloth. Condition: Very Good. New Edition Revised. 2 volumes. xii, 654; xxxiii, 514 pp., with 700 b/w illustrations. New and revised edition 1985. A few small spots to spine and foxing to top edge of text block. 0878173013 Large 8vo. Seller Inventory # 76737
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Painting of the High Renaissance in Rome and Florence
Published by
Hacker Art Books, New York, 1985
ISBN 10: 0878173013
ISBN 13: 9780878173013
Used
Hardcover
Seller: Hackenberg Booksellers ABAA, El Cerrito, CA, U.S.A.
Seller rating 4 out of 5 stars
Newly revised edition. 2 vols. ([xii] 654; xxxii, 514p.), 700 b/w illus., original gold cloth. Contents: v. 1, Text. v. 2, Plates. Seller Inventory # 029266
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Painting of the High Renaissance in Rome and Florence. Text.
Published by
New York: Hacker Art Books, 1985
ISBN 10: 0878173013
ISBN 13: 9780878173013
Used
Hardcover
Seller: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany
Seller rating 5 out of 5 stars
Original cloth. Condition: Gut. Newly revised edition. X, 654 p. A proistine copy. - The material in the text printed in double columns will be of interest primarily to the specialist reader. - From the introduction: The beginnings of the High Renaissance style in painting belong to Leonardo just as unequivocally as its time of fulfillment, in Central Italy, belongs to Raphael and Michelangelo. The first document for the High Renaissance style is Leonardo's, and from his own beginnings: the first fragmentary work in painting that is universally acknowledged to be his, the bead of an angel in the Baptism of Christ of Verrocchio (Florence, Uffizi; c. 1476) contains the essential idea on which the new style would build. This is not an image of transition between two styles except in a literally surface sense: in it an Early Renaissance preciosity of drawing and of finish coexist with its novelty of underlying form. To that novelty, however, there is no avenue of transition; there is no bridge between the style of this head by Leonardo and that of Verrocchio's portions of the painting. No near-contemporary experiment prepares Leonardo's image, nor is there any evolution toward it we can document in prior work of the young Leonardo himself. Its appearance is more sudden, and less resolvable into the context of art around it, than had been the emergence of the style of Masaccio fifty years before. As in Masaccio, the new identity of Leonardo's image results not merely from the novelty of form that we perceive but from the fact that this form is the manifest projection of a new idea; and this idea depends upon a new conception of the nature of art, and of the role of art in the interpretation of nature and of man. ISBN 0878173013 Sprache: Deutsch Gewicht in Gramm: 550. Seller Inventory # 1232707
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