Chekhov's penultimate play has inspired a bewildering variety of
interpretations - both in criticism and in performance - since its
premiere at the Moscow Arts Theatre in 1901. Tri sestry has
been viewed both as tragedy and comedy, as a testimony for the eternal
yearnings for love, happiness and meaning, and as a devastating
indictment of the folly of inert gentility. Its characters have been
seen as worthy embodiments of the universal 'human condition', or as
passive products of pre-revolutionary Russian privilege. Either way,
the sisters are poignant reminders of human disappointment,
frustration, loneliness and the passage of time. The play remains a
firm favourite with audiences, both in Russia and in the
English-speaking world, and must be considered a fundamental work of
twentieth-century European drama.
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The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.
Anton Chekhov was born in 1860 in a small town on the Sea of Azov. His plays include Ivanov, Platonov, Uncle Vanya, On the High Road, and The Proposal, among others. As he was beginning to gain international recognition as a major dramatist, he suffered two heart attacks and died in Badenweiler, Germany.
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