Eric Ravilious was among the foremost English artists to emerge between the wars and one of the great original wood engravers. His body of work was wide-ranging and multi-faceted; in his relatively short career he produced an extraordinary amount of work ? murals, watercolours, wood engravings, lithographs and pottery designs for Wedgwood. As successful and enterprising as he was in these diverse fields, it was in the field of watercolour landscape painting that Ravilious excelled. His tragic and untimely death in 1942, while on service as an Official War Artist, meant that his great promise was never fulfilled and it has been left to Helen Binyon to present this fascinating study of the artist to a world largely unaware of his presence. The author knew Ravilious well from their student days and has been able to draw upon her intimate knowledge of this vivid and exciting artist to make this a compelling account.
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Helen Binyon (1904-1979) was a notable wood engraver and watercolour painter. She studied at the Royal College of Art (1922-1926), where she first met Eric Ravilious. They formed part of a large group of friends and colleagues among whom can be counted some of the leading artists and designers of their generation: Edward Bawden, Henry Moore, Graham Sutherland, and many others. Paul Nash, who taught both Helen and Eric Ravilious at that time, called them “an outbreak of talent”. Helen Binyon maintained a close friendship with Eric Ravilious for the rest of his life. With her sister Margaret she developed the Binyon Books for children, which she illustrated and Margaret wrote. Early in her career she developed a passionate interest in puppeteering, and ran a travelling puppet show until the outbreak of the Second World War. From 1950-1965 she lectured and taught at the Bath Academy of Art. In her later years she lived with her sister in Chichester, where she wrote this memoir.
Helen Binyon studied alongside Eric Ravilious at the Royal College of Art. The daughter of the poet Lawrence Binyon, best known for the poem 'For the Fallen', she worked as an illustrator for Oxford University Press. Also an accomplished marrionettist, she wrote Puppetry Today (1966) and Professional Puppetry in England (1973).
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