The anguish, frustration, and desperate experimentation which characterized German society in the wake of its bitter defeat in World War I and during the ensuing revolution are nowhere more apparent than in the graphic posters, prints, and book and periodical illustrations produced by the German Expressionist artists who, between 1918 and 1922, joined the effort to reshape society. In a scholarly and sympathetic study enhanced by over 100 illustrations, art historian Ida Rigby analyzes these artists' attempts to integrate art into the movement for social reform, and their eventual disillusioned withdrawal into realism. Although such well known artists as Kàuathe Kollwitz, George Grosz, and Otto Dix are given full consideration, an important feature of this book is the attention it pays to the minor figures who, many argue, were the most characteristic representatives of the Expressionist movement. Originally published in 1987.
"synopsis" may belong to another edition of this title.
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Good. Good condition. Paperback edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Seller Inventory # X01A-03835
Seller: N. Fagin Books, Chicago, IL, U.S.A.
1983, Art, San Diego State Univ. Press, 118 p., very good paperback. Seller Inventory # 10082
Seller: Henry Hollander, Bookseller, Los Angeles, CA, U.S.A.
Softbound. Condition: Very Good. Second Edition. Quarto, paper covers, x, 118 pp., b/w illustrations throughout Foreword to the First Edition by Dennis Komac. Foreword to the Second Edition by Earl A. Powell, III. Preface by Ida Katherine Rigby. Collector's Comments by Robert Gore Rifkind. Catalogue of the Exhibition by Jean Henderson Glover. Bibliography by Ida Katherine Rigby and TYjimke Singerman. Seller Inventory # 86511
Seller: Daedalus Books, Portland, OR, U.S.A.
Paperback. Condition: Very Good+. A nice, bright copy. Former owner's inscription to front endpaper. ; B&W Illustrations; 11.0 X 9.0 X 0.5 inches; 118 pages. Seller Inventory # 279806
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condition: Used - Very Good. Very nice clean, tight copy free of any marks. Seller Inventory # 304551
Seller: Bookbot, Prague, Czech Republic
Condition: Fair. Unterschrift / Widmung ohne Bezug; Leichte Risse. Seller Inventory # 0e6e9bda-31c5-46d6-b959-617222eb8915
Quantity: 1 available
Seller: monobooks, Waterford, MI, U.S.A.
Soft cover. Condition: New. No Jacket. 1st Edition. First edition 1083. Published in conjunction with the exhibition by San Diego State University Press Large softcover without DJ as issued. Condition as new, square tight and clean book, no edgewear, corners not bumped, spine not creased, small name on ffep and front cover, no underlinings, no highlights, no tears, no chips. Not a reminder. 4to, 118 pages, well illustrated. Seller Inventory # 007728
Seller: Der-Philo-soph, Viersen, NRW, Germany
4° Broschiert. Condition: Gut. Einband etwas lichtrandig. Flecken auf dem hinteren Deckel. Inhalt im sehr guten Zustand. 118 pp., ill. Englisch 600g. Seller Inventory # 4004784
Seller: The Book Spot, Sioux Falls, MN, U.S.A.
Paperback. Seller Inventory # Abebooks213558
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. 118 pp. Soft Cover. Black and white plates throughout. Signed and dated in ink ?Peter Selz/San Diego 1983? on title page. Tipped in is a handwritten letter in ink to Peter Selz from Ida Rigby, dated Nov. 18, ?83, and a copy of the exhibition review in the Los Angeles Times, dated May 29, 1983. Good, minor wear and soiling to covers, spine sunned, tear at bottom cover edge, interior sheet edges lightly toned, otherwise, clean and intact.From the Collection of the Art Historian Peter Selz. Seller Inventory # 71-1763