First published in 1990 and now back in print, this much sought-after collection marked the stunning debut of poet Dorianne Laux. Awake chronicles Laux's coming to terms with a childhood darkened by violence and sexual abuse--a struggle at once to embrace and to forgive the past.
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First published in 1990, Awake marked the stunning debut of poet DORIANNE LAUX. She has since published three other collections: What We Carry (1994), which was a finalist for the National Book critics Circle Award, Smoke (2000), and Facts About the Moon (2005), which won the Oregon Book Award and was short-listed for the 2006 Lenore Marshall Poetry Prize. The recipient of an Editor's Choice III Award, two Best American Poetry prizes, and two Pushcart prizes, Laux is also the coauthor, with Kim Addonizio, of The Poet's Companion: A Guide to the Pleasures of Writing Poetry. Her work has appeared in numerous journals and magazines, and she is among the poets to earn a place in The Norton Anthology of Contemporary Poetry. In 2001 she was invited by the late poet laureate Stanley Kunitz to read at the Library of Congress.
Born in Augusta, Maine, Laux moved to northern California in 1983 and subsequently graduated from Mills College, in Oakland, with a BA in English. She has waited tables and written poetry in San Diego, Los Angeles, Berkley, and Petaluma, California, and in Juneau, Alaska, and her poems have been translated into French, Italian, Korean, Romanian, and Brazilian Portuguese. Among her many honors are two fellowships from the National Endowment for the Arts and a Guggenheim Fellowship. In 1994 she settled in Eugene, Oregon, where she teaches creative writing at the University of Oregon. She lives in Eugene with her husband, poet Joseph Millar.
In her first book of poems, Laux's writing is at its most potent when she deals simply and bluntly with the vicissitudes of growing up and getting old. The almost matter-of-fact tone of "What My Father Told Me" and "Two Pictures of My Sister" expresses the resignation of girls who have learned to assimilate the horrors of sexual and physical violation into the otherwise innocuous routines of their childhood. Too often, however, the uncompromising directness of the poet's vision is diluted by imprecise metaphors and insignificant themes. The strained erotic images of "The Laundromat" are gratuitous as well as embarrassing, and "Adam's Dad Teaches the Kids to Play Ball" transforms an already bland subject into a cliche. It is difficult to believe that this is the same writer who, in "Quarter to Six," gives us such a masterfully complex portrait of a friendship between two women battling the pain of their pasts amid the hellishness of a mental asylum. This poem, encompassing Laux's most important themes, is the vibrant heart of this uneven but provocative collection.
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Book Description BOA Editions Ltd., 1990. Paperback. Book Condition: New. Bookseller Inventory # DADAX0918526779
Book Description BOA Editions Ltd., 1990. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110918526779
Book Description BOA Editions Ltd. PAPERBACK. Book Condition: New. 0918526779 New Condition. Bookseller Inventory # NEW7.1457147