Before You Shoot: A Guide to Low Budget Film Production - Softcover

Garvy, Helen

Softcover

ISBN 10: 0918828082 ISBN 13: 9780918828088

Publisher: Shire Press, 1988

Synopsis

This informative guide: Before You Shoot: A Guide to Low Budget Film Production by Helen Garvy is an eye opener. This boo is about decision making and organization in film making. It covers the task that are usually through of as belonging to the producer, the production manager, their assistants, and the assistant directors.

About this title

About the Author:

Helen Garvy is a film producer, director, writor, and editor. Her independent production company has produced everything from dramatic and documentary features to films and videos for television and schools. This book came out of classes that Helen has given over the years.

Excerpt. © Reprinted by permission. All rights reserved.:

Before You Shoot will save you time, money, and aggravation when you make your next film. Making clear, sensible decisions and planning a well-organized shoot are essential to the success of any film, but these are often overlooked as filmmakers concentrate primarily on artistic and technical challenges. In Before You Shoot, I'll clarify what decisions need to be made and on what to base those decisions. I'll also discuss what needs to be organized and how to do it. Although the jobs I discuss usually belong to the producer, the production manager, their assistants, and assistant directors, this book will also be very useful for directors -- and, of course, any independent filmmaker who, of necessity or by choice, will fill many roles. In preparing this book I've drawn on my experiences as producer and partner (along with Dan Bessie) in Shire Films, a two-person independent production company that has produced over 22 films. Our projects include a dramatic feature film, children's programs shown on both network and cable television, a documentary, and many short educational films. I've presented the information in this book at workshops and seminars throughout our area. I've learned some lessons the hard way and I hope that by writing them down I can spare you from having to learn the same way. Much of this book is just simple common sense, written down and organized a little. I used to take common sense for granted. I assumed things would just "work themselves out.". But I've learned that by not figuring things out carefully in advance, you generally lose time and waste money -- and can even ruin a film. As I've gone to film festivals and markets, I've seen filmmakers who've put years of their time and too much of their own money into producing films (some quite worthwhile) that never made it to the local movie house, that never got distributed. The tragedy is that most of those mistakes were preventable. Before You Shoot will help you avoid those mistakes. While I can't tell you how to make your film, I can help by creating checklists, suggesting alternatives, and alerting you to potential problems. This book does not cover the technical side of filmmaking -- cinematography, lighting, sound, or editing, except in general ways that relate to the decisions a producer must make. Nor does it cover directing or script-writing, again except as they relate to the role of the producer. What's left? That's precisely why filmmakers get into trouble and have chaotic shoots and go over budget. What's left is the very important decision-making and organizational side of filmmaking. The order of things in this book is somewhat arbitrary -- but that's simply because so much in filmmaking (as in life) is inter-related. I'd suggest reading through the whole book and then going back and using specific sections as you need them. Not everything in this book applies to every film project or to every person. Take what applies to you and ignore the rest -- perhaps it will be of use in your next project. I can't tell you what decisions to make, and I don't want to because what's right for me may not be right for you. But I do hope to let you know what decisions need to be made and what some of the problems are, as well as to give you some ideas about how you might approach solutions for your film. A few specific notes: 1) I've tried to write this book for both the novice and those who are already involved in filmmaking. Those with experience may want to skim certain areas while novices might find other sections too detailed and overwhelming at first. Take your time. 2) This book is geared more to independent filmmakers than to those working within the system, although I hope it will be useful to both. 3) This book is primarily for the "low-budget" filmmaker, although that phrase can mean many things, and money is usually an important issue on even the biggest Hollywood shoots. But those working on low budgets need to be especially frugal -- and above all they need to be flexible and creative. This book stresses both. 4) This book focuses on scripted films but most of it also applies to documentaries, where creativity and good planning can cut costs significantly. 5) Terminology. Every field has a language of its own and film is no exception. I've tried to define words that might be unfamiliar. Use the index for cross-references. 6) A word on gender. The terminology in this book is the terminology I use. I'm aware that film has traditionally been a man's world (except for "'script girls," "wardrobe ladies," and such) and words have reflected that. But times are changing and my world of film has not been totally male. Many of the crews I have worked with have included women in key roles and so my terminology reflects that. It's difficult to say cameraman or soundman when the people you have worked with in those jobs have sometimes been women. I've tried to use neutral terms and although I realize that "he or she" is unwieldy, I use it sometimes for lack of anything better. If my terms seem awkward, perhaps they'll be less awkward as women become more accepted in the field and our language adapts. If my terms help question stereotypes, so much the better. 7) I sometimes ask a lot of questions without providing specific answers. I don't do this to frustrate you, but simply because the answers depend so much on particular situations that it would take forever to cover all possibilities. But I do want to make you aware of questions to ask yourself and things to think about. Once you do that, the answers should come fairly easily.

About this edition

• Publisher: Shire Press
• Publication date: 1988
• ISBN 10: 0918828082
• ISBN 13: 9780918828088
• Binding: Paperback
• Number of pages: 287