About the Author:
Ulysses Grant Dietz, a great-great grandson of Ulysses S. Grant, has been the curator of Decorative Arts at The Newark Museum since 1980, and Senior Curator since 2007. He received his BA from Yale in 1977, and his MA in Early American Culture from the University of Delaware s Winterthur Program in 1980. Mr. Dietz restored the centerpiece of the Newark Museum, its 1885 Ballantine House. He has published numerous articles on decorative arts and books on the Museum s Studio Pottery, Art Pottery and 19th century furniture collections.
Sam Watters lectures and writes on the built environment within the context of American culture. Educated at Yale, the University of Marseilles and at the Royal Botanic Gardens at Kew, he is the author of Houses of Los Angeles, 1885-1935 and the Lost LA column for the Los Angeles Times. Mr. Watters is preparing, with the Library of Congress a book on the early 20th century garden photographs of White House photographer, Frances Benjamin Johnston.
Review:
Dream House: The White House as an American Home is 304 pages of cold comfort for those who think 1600 Pennsylvania Avenue is immune to charges of ghastly taste. Ulysses Grant Dietz, the Newark Museum s curator of decorative arts and the president s great-great-grandson, and Sam Watters, an architecture critic, began with the premise that the White House once mirrored national trends and aspirations in domestic design: Jefferson inhabited an Anglo-aristo country estate; Jackson, a genteel villa enshrining democratic values; Franklin Roosevelt, a suburban crib with the design integrity of a midprice hotel chain. The evolution ended with the Kennedys, Mr. Watters said, saving his most withering criticism for Jackie: The idea is that she restored it as it was under the early presidents, he said, when in fact, she restored it to how she thought they should have lived. --The New York Times, October 1, 2009
Perhaps the most intriguing chapter is the last, where the authors take on the legend that is Jackie O. As midcentury modernism took off, Jacqueline Kennedy revered the past, embraced antiques and famously redecorated the White House with the zeal of a museum curator. Though her refined taste made her an icon, the authors argue that Kennedy turned the White House into a shrine -- not a living, breathing, evolving home that reflected a changing nation, but rather a locked-in-time fantasy of how the American upper class lives.<...> --The Los Angeles Times, December 19, 2009
Great book...The White House is the symbol of the American presidency, its a museum and its a family home, and Dream House covers all of them. --Today Show, December 15, 2009
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