From the Author:
"Mud River is memorable...capable of telling a horror story... especially when plopping the thing into a basket of flowers."--Black Water Review
This mostly free verse collection contains my childhood and adolescent and adult life memories in WV and VA as well as flashes of Poland 1978 with the National Alliance of Art Educators. Most come from startling experiences in which I wrote to find deeper meanings to my journey.
Grateful acknowledgement is made to the following publications
in which these poems first appeared: The New York
Quarterly; The Northeast Journal; Artistic License; Artemis; Gusto;
The Roanoke Review; Kalliope; The Roanoker Magazine; Cargoes;
Green's Magazine; Driftwood East; South Florida Poetry Review;
Collage; Still Life Anthology of Roanoke County Schools. Several
of the poems have been "hung" at art exhibitions in The Living
Gallery and in Roanoke College; and several have appeared in
Smuggled Seeds (New York: Gusto Press, 1979. "Kore" and "He
Sang" were included in a presentation of orchestra and drama
aired on public television. "Cappadoccia" was included in the
Third World Anthology by Pig Iron Press.
Photo copyright 1988, 2009 by Jeri Rogers
Art copyright 1988, 2009 by K. Kamal Ayyildiz
Design and layout by Rebekah Woodie
Mechanicals by Ann Glover
Original and 2nd Edition published by LINTEL
An Authors Guild Backinprint.com
Edition
iUniverse, Inc.
New York Bloomington
Mud River
Third Edition
From the Inside Flap:
Mud River rests the same wondering, analytical eye on both past and present, drawing us into time and place so deftly that at certain moments we are the poet, remembering her grandfather, a small man full of opinions told with a slickikroned/flatstated tone and meant /to straighten out his world. Or an aunt, never known, dead at fourteen in a car wreck, but resurrected in family memory: I've always seen you/ like a skylark shot up/ in wide surprise/ spiraling in uneasy flight. In "Requiem, Auschwitz 1985," past terror and present emptiness meet in a passionate lament: Three million/ candles cannot rekindle even one/ bright eye gone ash out of that furious/ tunnel into night.
Ayyildiz also takes a wry look at the process of writing, not writing, going out for the mail instead. A poet who will drink at any well,/ mix it with almost anything, Ayyildiz watches what goes on, goes past, and reports it with unerring clarity. In "Halloween," Winds/ iron down corn-vacant/ crow-scarce fields.
These are the poems of a writer whose understanding of the world is visual as well as verbal. She sees, and then with a relentless and beautiful voice, makes us see, too.
Amanda Cockrell, poet, author of ten novels, Director of Children's Literature Program at Hollins University, Managing Editor of The Hollins Critic
"About this title" may belong to another edition of this title.