Mona Hatoum - Softcover

Hatoum, Mona; Morgan, Jessica; Cameron, Dan; Museum Of Contemporary Art (Chicago, Ill.); New Museum Of Contemporary Art (New York, N. Y.)

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Softcover

ISBN 10: 0933856474 ISBN 13: 9780933856479

Publisher: Distributed Art Pub Inc, 1997

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Catalog for exhibitions at the Chicago and New York City Museums of Contemporary Art in 1997-1998. Nicely illustrated in B/W and color. 66p. Essays by Jessica Morgan and Dan Cameron. Artist biography. Checklist for the exhibition. Born in 1952, Mona Hatoum is a video artist and installation artist of Palestinian origin, who lives in London. Measures 8.25x10 inches.

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From the Back Cover:

Born in the Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid 1970s and where, in 1995, she was nominated for the prestigious Turner Prize. Through performance, video, sculpture and installation she creates architectonic spaces which relate to the body, language and the condition of exile. One of her most spellbinding and best known works is a video installation titled Corps etranger, where the spectator enters a small pavilion and takes a visual journey through all the orifices of the artist's body. Such works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial and otherness. Hatoum's many international exhibitions include the Centre Georges Pompidou, in Paris (1994); her work tours extensively to museums throughout the United States in 1997. The distinguished British critic Guy Brett, explores key themes around a sense of place, the body and communication which emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist, Piero Manzoni. The book also includes Hatoum's own notes, statements and previous interviews.

About the Author:

Guy Brett was the art critic for The Times from 1964 to 1975. His books include Kinetic Art (1968), Through Our Own Eyes: Popular Art and Modern History (1986) and Transcontintental: Nine Latin American Artists (1990). Michael Archer is an art critic and lecturer. He is a regular contributor to Art Monthly, Untitled and Artforum, is the author of Art Since 1960 (1997) and the co-author of Installation Art (1994). He is a Tutor in art history at the Ruskin School of Drawing and Fine Art, University of Oxford, and a Visiting Research Fellow at Chelsea College of Art and Design.Catherine de Zegher is a curator and director of the Kanaal Art Foundation Centre for Contemporary Art.

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