American artist Cindy Sherman creates staged and manipulated photographs that draw on popular culture and art history to explore female identity. Her art embodies two developments in the art world: the impact of postmodern theory on art practice; and the rise of photography and mass-media techniques as modes of artistic expression. This volume, published on the occasion of an international touring exhibition, presents over 200 images from the breadth of Sherman's work, from the "Untitled Film Stills" of the 1970s to series such as "Centerfolds", "Fashion", "Disasters", "Fairy Tales" and "History Portraits". Essayists Cruz, Jones and Smith offer insights into Sherman's art from several vantage points, positioning it within the trajectory of feminist art history and revealing her influence since the 1970s.
"synopsis" may belong to another edition of this title.
Amanda Cruz is the Manilow Curator of Exhibitions at the Museum of Contemporary Art, Chicago. Elizabeth A. T. Smith is Curator at The Museum of Contemporary Art, Los Angeles. Amelia Jones is an associate professor of contemporary art and theory and the history of photography at the University of California, Riverside.
Cindy Sherman has taken self-portraiture and masquerade to the highest heights and the campiest lows, bringing the shady ambience of B-movies to art photography while exploring the plexus of narcissism, from its silliest manifestations to its most provocative expressions. Sherman explores the implications of role-playing and fantasy, seeing and being seen, and society's perceptions of women, eroticism, and consumerism in her photographs, creating resonant images and supplying art critics with much grist for their mills. In her contribution to this retrospective volume, Amelia Jones begins with the remark that "much ink has been spilled over Cindy Sherman," and, obviously, the flow continues, but Jones, Cruz, and their colleagues provide just the sort of commentary Sherman's work demands, and the photographs themselves are engaging, both viscerally and intellectually. Sherman has been in costume before her own camera for more than 20 years, earning the right to a major traveling exhibition and speculation as to what she'll come up with next. How many selves can a self be? Stay tuned. Donna Seaman
"About this title" may belong to another edition of this title.
Seller: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condition: good. Paperback Book. Seller Inventory # LACV.0933856490.G
Seller: Black Cat Books, Shelter Island, NY, U.S.A.
Soft cover. Condition: Very Good. Paperback. Seller Inventory # 94235
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Paperback. Condition: Very good. Pap. Minor shelf wear. Else a bright, clean copy. Seller Inventory # 2033197
Seller: J. W. Mah, Burnaby, BC, Canada
Paperback. Condition: Fine. 1st. (USA) Presumed first edition. No markings, Fine. Wraps with flaps, 2199pp, startling and sometimes creepy colour and B&W photos. Cynthia Morris "Cindy" Sherman is an American photographer and film director, best known for her conceptual portraits. In 1995, she was the recipient of a MacArthur Fellowship. (3.5 JM HOJ 300/6 Size: 4to - over 9¾" - 12". Exhibition Catalogue. Seller Inventory # 73485
Quantity: 1 available
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 220 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra. Seller Inventory # CiShMu35
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:0933856490. Seller Inventory # 9549636
Quantity: 1 available