Poetry. "EXIT MUSIC is a song of limits sung anyway. The statements, predictions, suspicions, and conclusions point to 'a brutal economy [that] rules the playground.' The cadence is solemn and then not. There is aphorism and narrative. There are laugh lines. 'Gravity poses a credible threat.' Rhyme helps us consider the ineffable and inevitable, as well as current events. 'Calamities traded as futures abound. / He made his bones manufacturing consent / While the ship of state ran aground.' The voice of experience expresses what Californians (and by extension all of us) know. 'In an actual emergency, you're on your own.' This is a book to include in your survival kit."--Laura Moriarty
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Ted Pearson born and raised in Palo Alto, California. He attended Vandercook College of Music, Foothill College, and San Francisco State University. He began writing poetry in the mid Sixties. Since then, he has published over twenty books of poetry. His most recent books include EXIT MUSIC (Singing Horse Press, 2018), THE MARKOV CHAIN (Shearsman Books, 2017), AFTER HOURS (Singing Horse Press, 2016), EXTANT GLYPHS: 1964-1980 (Singing Horse Press, 2014), AN INTERMITTENT MUSIC: 1975-2010, (Chax Press, 2016), and THE COFFIN NAIL BLUES (Atelos, 2016). He co-authored THE GRAND PIANO: AN EXPERIMENT IN COLLECTIVE AUTOBIOGRAPHY (This/Mode A, 2006-2010) in ten volumes. And his essays have been widely published, notably in Poetics Journal. A two-part conversation with Luke Harley appears in Jacket2. It focuses on the evolution of AN INTERMITTENT MUSIC. Pearson lives in Oakland.
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