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This artistic legacy, which includes such major precursors as Degas, Eakins and America’s greatest urban painter, Edward Hopper, has been consciously reconceptualized through paintings that synthesize representational imagery with a late 20th century sensibility regarding the frailty of human existence in a techno-urbanized world. He brings to his deliberately unexceptional subject matter time honored techniques of craftsmanship and patient observation. For Silverman, form remains inextricably linked to meaning. Asserting itself throughout his painting is the fluid brushwork and natural coloration that informs the eye while eliciting, alchemically, a compassionate understanding of the human condition. In the final analysis, it is Silverman’s unflinching vision, together with his creative rethinking of tradition, that constitutes his most defiant and enduring artistic contribution. --Prof. Robert L. McGrath, Dartmouth College
This book is a collection of the past 25 years of work by this universally respected painter, illustrator and teacher, who has been increasingly regarded as one of America’s important realist artists. With essays by Prof. Robert McGrath, Phillip Saietta and a memoir by the artist, this profusely illustrated monograph chronicles a career rich in depictions of life and equally rich in a panoply of ideas about art. Silverman’s memoir, “Odyssey,” offers observations about his work, his goals and his controversial views of the art world today. A full-color catalog of the exhibitions held at the Butler Institute of American Art and the Brigham Young Museum complements the text and provides the reader with a moveable feast of this artist’s work to which they can return again and again.
He has also been commissioned to paint portraits for the covers of Time Magazine and has drawn portraits over 125 persons featured in the Profiles segment of the New Yorker.
Mr. Silverman has also authored magazine articles for various publications including Art News, Book World, (the Liiterary Supplement of the former Herald Tribune) the Artists Magazine and the American Arts Quarterly. His two books on painting have reached audiences in Europe, Asia and South America.
Her has had a long and distinguished career in illustration producing work for virtually all the major magazines in America as well as for a host of institutional clients, that included IBM . GE, ABC , CBS, to name but a few. He was elected to the prestigious Society of Illustrator’s/Museum of American Illustration Hall of Fame in 1990 The artist has authored two other books on painting as well as two videos dealing with watercolor and oil painting He is represented by the Gallery Henoch in New York, The Susan Conway Gallery in Wash., DC and the Merrill [ Johnson Gallery in Denver
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