"No painter, dead or alive, has ever made us more aware of our eyes than Bridget Riley."-The New Statesman
Uncompromising and remarkably innovative, Bridget Riley is one of the most respected artists working today. This comprehensive survey of Riley's 40-year career, published to accompany a major exhibition at Tate Britain, London, includes key examples in lush colorplates of all phases of her work.
Riley first attracted critical attention with the dazzling black-and-white paintings she began to make in 1961 under the "Op Art" banner. Popularized through the mass media and widely "borrowed" by the fashion industry, these images came to epitomize an era. Since then she has remained at the forefront of developments in contemporary painting, making highly distinctive works that articulate an abstract language in which relationships of color and form generate powerful visual sensations.
Each new development in Riley's work generates fresh interest in her art. Here, Paul Moorhouse, Richard Shiff, and Robert Kudielka provide an overview of her work and career, and fresh analyses of the ways in which her work relates to theories of aesthetic perception.
"synopsis" may belong to another edition of this title.
Paul Moorhouse is a collections curator at Tate and the author of numerous books and exhibition catalogues. Robert Kudielka is professor of aesthetics and philosophy of art at Berlin's University of the Arts. Richard Shiff is professor of art, University of Texas, and the author of numerous critical studies.
"No painter, dead or alive, has ever made us more aware of our eyes than Bridget Riley."
"About this title" may belong to another edition of this title.
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003416440
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Seller: Milbury Books, New Romney, United Kingdom
Soft cover. Condition: Near Fine. A Near Fine copy of this 94pp catalogue for the Hayward Gallery touring exhibition in 2002. Includes essays by Lynn MacRitchie and Craig Hartley. The interior remains clean throughout and there is no creasing to the spine. The illustrated French wraps have the residue of a price sticker on rear cover else only minor hints of use. Please see 15 pictures attached for a closer look. Packaged with care and dispatched within 24 hours. Seller Inventory # ABE-1789815338539
Quantity: 1 available