Essay and catalog entries on 16th-century Italian prints from New England college collections, selected to show the range and quality of kinds of printed imagery during this pivotal period. Fully illustrated and accompanied by an extensive essay, an introduction to the fundamental subject of how mechanical reproduction has affected the history of art. It examines the Renaissance through its most distinctively modern and most consistently overlooked aspect, the printed and often collaborative image.
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Patricia Emison is Professor of the History of Art at the University of New Hampshire. She is the author of The Shaping of Art History (2008), The Simple Art: Printed Works on Paper in the Age of Magnificence (2006), Creating the Divine Artist from Dante to Michelangelo (2004), and The Art of Teaching: Sixteenth-Century Allegorical Prints and Drawings (1986).
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