When you enter Jim Krusoe’s wittily indeterminate world, your first instinct is to grope around for a literary coordinate. At first he reminds you of Kafka: the dreamlike inconsequentiality and gentle-sinister comedy―the half-human animals and evanescent temptresses. But the America that Krusoe inhabits is spelt with a C, not a K. He is robustly situated in his time and place, and he has a lilt that is all his own. In the end, he stopped reminding me of anyone. Jim Krusoe is an original. ― Martin Amis
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