About the Author:
Barbara Head Millstein is the associate curator of photography at the Brooklyn Museum of Art.
Review:
Cratsley studied with Lisette Model, and shows the influence of Andre Kertesz, but his work evokes for me that sense of mystery in the everyday I associate most directly with Ralph Eugene Meatyard. Like Meatyard, Cratsley works exclusively in black and white with the twin-lens reflex camera, and uses the solidity and formality of the square format as a calm container for his imagerys visual nuances and emotional undercurrents. And, like Meatyard in another way, Cratsley works under the constraints of time: Meatyard spent his last years battling cancer, while Cratsley lives with AIDS. Yet, in Cratsleys case as in his predecessors, the images feel anything but death-obsessed; they radiate a philosophical acceptance of mortality, and a quiet resignation to the inevitable loss of what one has loved the most, but also a deep affection for the physical world and a determination to cherish those small, mundane epiphanies life offers so generously to those who, like Cratsley, have learned to pay close attention. -- A. D. Coleman, Photography in New York, March/April 1998
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