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No One Was Killed : Documentation and Meditation : Convention Week, Chicago--August 1968 - Softcover

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9780966755718: No One Was Killed : Documentation and Meditation : Convention Week, Chicago--August 1968

Synopsis

What did happen in Chicago during August 1968 when the Democratic Party staged its Convention to nominate a candidate for President and a series of confrontations-vital, often raw, at times complex -erupted between demonstrating citizens and police and Guardsmen, the Democrats among themselves, and the black community, and the turbulent Convention melee? Novelist John Schultz, covering the Convention as reporter for Evergreen Review, observed almost every confrontation in the parks, streets, at the Hilton Hotel and the International Amphitheater for ten days and nights. No One Was Killed is his clear, impassioned history of what he saw and felt.

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About the Author

John Schultz: Career Summary

As Writer John Schultz has been interviewed for and appears in the PBS film "Daley: The Last Boss" (January 1996) and the Arts & Entertainment American Justice Documentary "The Chicago Conspiracy Trial" (1994, 1995).

His most recent book is The Chicago Conspiracy Trial (Da Capo, 1993, revised and updated version of Motion Will Be Denied, with an extensive Afterword by the author), about the spectacular trial of eight famous activists indicted for crossing state lines with intent to incite antiwar riots at the Democratic National Convention of 1968.

A two-hour-and-ten-minute BBC radio drama, "The Chicago Conspiracy Trial" (which first aired in the UK in August 1993, and in the US in the fall 1993) was based in part on his book and features John Schultz as guide and historical commentator.

Mr. Schultz's other books include the short novel, "Custom," 3x3 and 4x4 (Grove Press, 1963, 1967): The Tongues of Men includes the short novel "Custom," which was at the center of controversy in the seizure of John Schultz's manuscripts by Customs officials in Laredo, Texas (Big Table, 1969), and No One Was Killed (Big Table, 1969, about the 1968 Democratic Party Convention).

His text, Writing From Start To Finish (Heinemann/Boynton/Cook) was published in August 1982, concise edition issued in 1990. The Teachers Manual for Writing From Start To Finish was published by Heinemann/Boynton/Cook in 1983.

Mr. Schultz contributed dream plays to Dream Theater, Body Politic, 1970-72. The play version of "Custom" was produced at the Body Politic Theater, 1973.

Mr. Schultz was contributing editor of Evergreen Review, a leading literary and cultural magazine in the 1960's.

Now editor of F Magazine, he edited the anthologies f1, f2: Novels in Progress, The Story Workshop Reader, and The Best of Hair Trigger, among others. He has given many readings of his fiction and nonfiction, from the Big Table readings at Second City in the 1960's to recent readings in San Francisco, Chicago, and other cities.

Full interviews with Mr. Schultz were published in Chicago Review, 1977; Writing, Fall 1984.

An interview and reading of portions of a Korean War short novel "Daley Goes Home" were aired on "New Letters on the Air," and placed in the New Letters archive, 1986.

He has published two short novel-length essays: "The Siege of '68" in The Reader (September 1988); and "The Fabulous Presumption of Disney World: Magic Kingdom in the Wilderness" in The Georgia Review (Summer 1988), republished in German in Merian.

Originator of The Story Workshop Approach to The Teaching of Writing Mr. Schultz originated The Story Workshop method of teaching writing in 1965 and has continued to develop and broaden it, developing expository and argumentative as well as fiction writing approaches. He has given presentations frequently at national meetings of the Conference of College Composition and Communication, the National Council of Teachers of English, and other major conferences concerned with the teaching of writing, including two presentations at the Modern Language Association.

Various Work Over the Years 1975: November: He gave one of the featured presentations at the SUNY-Buffalo-NCTE Research on Composing conference.

1977: December: College English published a version of the Buffalo presentation, "The Story Workshop Method: Writing from Start to Finish."

1978: The full-length presentation appears in Points of Departure: Research on Composing, eds. Charles Cooper and Lee Odell, NCTE.

1978-97: Summers: He has been Research Associate with the Department of English, University of California, Berkeley.

1982: He was keynote speaker at the Focus on Writing conference, Grand Rapids, Michigan.

1982: John Schultz's text, Writing From Start To Finish (Heinemann/Boynton/Cook) was published in August 1982, concise edition issued in 1990.

1983: the Teachers Manual for Writing From Start To Finish was published, (Heinemann/Boynton/Cook).

1993: He was keynote speaker at the Fairfield University Revival Institute for Teachers.

1990: He was co-executive producer and narrator of The Story Workshop videotape "The Living Voice Moves" (1990) which features Betty Shiflett and her Advanced Fiction Class.

1992: He was co-executive producer and narrator of The Story Workshop videotape "Story From First Impulse to Final Draft" (1992) which also features Betty Shiflett and her Advanced Fiction Class.

Misc.: He has conducted Story Workshop training programs for the Chicago Board of Education, the Dallas Community College District, and other colleges, and Writing Across the Curriculum Workshop programs with the Dallas colleges and the Council for Independent Colleges.

Until September 1995, he was head of the Master of Fine Arts program in Creative Writing and of the Master of Arts program in the Teaching of Writing, and chair of the Fiction Writing Department at Columbia College. He is now Professor Emeritus of Fiction Writing and member of the graduate faculty in Fiction Writing.

Excerpt. © Reprinted by permission. All rights reserved.

From "Introduction to Confrontation," page 1: Past fright, past exhilaration, past terror, past awe, past exhaustion, everything that happened that week in Chicago had a rightness about it. It came and went so fast and hard that we who shared and witnessed may lose that sense of it.

Every night when I went to sleep, I saw lines and lines of sky blue helmets and sky blue shirts, and, later in the week, Guardsmen in fatigue uniforms with gas masks and M-1s at the ready. They were just standing there in my head, and they turned slowly and looked at me, facing me as I went to sleep. They were not clubbing, not charging, not tear-gassing, not wildly beating anyone, not jerking the wounded out of hospitals and shoving them into paddy wagons, not breaking into private homes and dragging kids into the street for beating. They were just standing there, blocking the startling and vivid rush of imagery that begins when the waking mind lets go and I am not yet fully asleep.

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Paperback. Condition: Good. Light edge wear. Previous owner's name written inside book. Spine creased, but binding still sound. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books. Seller Inventory # mon0000804790

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