A Call to Assembly - Hardcover

Ruff, Willie

 
9780971671805: A Call to Assembly

Synopsis

The warm and exhilarating memoirs of a renowned jazz musician and teacher. Willie Ruff has made a life out of music and learning--in his boyhood in poor, rural Alabama; in performances with Lionel Hampton, Miles Davis, and other greats; and through his years as a professor of music at Yale University.

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About the Author

Willie Ruff is the hornist and bassist of the Mitchell-Ruff DUO featuring pianist Dwike Mitchell. The Duo records, performs, and lectures on jazz extensively in the United States, Asia, Africa and Europe. Ruff, who attended the Yale School of Music as an undergraduate and graduate student, has been a faculty member there since 1971 teaching Music History, courses on Ethnomusicology, an lnterdisciplinary Seminar on Rhythm, and a course on Instrumental Arranging.

He is founding Director of the Duke Ellington Fellowship Program at Yale, a community based organization sponsoring world-class artists mentoring and performing with Yale students and young musicians from the New Haven Public School System.

Ruff's 1992 memoir, "A Call to Assembly" was awarded the Deems Taylor ASCAP award. He has written widely on Paul Hindemith one of his teachers at Yale, and on his professional association with the American composers, Duke Ellington and Billy Strayhorn.

His collaborations with Yale Geologist, John Rodgers on the musical astronomy of the 17th century scientist, Johannes Kepler, resulted in an important "planetarium for the ear" currently on CD and published widely in international astronomy journals.

Ruff has also written on music and dance in Russia, and on the introduction of American Jazz in China where he has lectured in Mandarin. his next book, "Six Roads to Chicago" explore's the relation of culture in Chicago to life in its hinterlands.

From Publishers Weekly

Jazz musician Ruff has come a long way from the poor black neighborhood in Sheffield, Ala., where he grew up learning about music any way he could--from the boy next door, the drummer at the Sanctified Church, the sound of the steam-driven calliopes on Tennessee River stern-wheel paddleboats. At 14, seeing a way out of poverty, he lied about his age and enlisted in the Army, where he reveled in daily showers, plentiful food, new clothes and, above all, opportunities to make music. He joined the all-black band as a drummer, but when told he would have to leave because there were too many men on drums, taught himself French horn so he could stay (until then, the band had no French horn players because the instrument was considered too difficult for blacks). After receiving a high school equivalency diploma, he left the service and entered Yale (one of nine black students enrolled in 1949), studied with Paul Hindemith, played in the New Haven Symphony Orchestra and earned a master's degree. Turning down Erich Leinsdorf's invitation to play horn with the Buffalo (N.Y.) Philharmonic, Ruff chose a career in jazz, first appearing with Lionel Hampton and later forming ok with performing earlier? a duo with the brilliant pianist Dwike Mitchell. A composer, filmmaker and professor of music at Yale, Ruff travels all over the world teaching people about jazz. He seems to have unlimited talent and energy. His book is an account of his own remarkable life, but it is also a tribute to many people who have helped and inspired him: his mother, who taught him how to keep his dignity and survive the South's brutal segregation laws; John Brice, the bandmaster who was determined to make the 766th Air Corps Band at the all-black air base in Lockbourne, Ohio, a symphonic ensemble to rival the all-white Army Air Corps Band in Washington, D.C.; the secondhand clothier in New Haven who gave him memorable advice on how to survive at Yale: "Dress British, think Yiddish." Ruff tells his inspiring story wonderfully well. Photos not seen by PW. Author tour.
Copyright 1991 Reed Business Information, Inc.

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