A Musician s Guide to Pro Tools, a new book by producer/engineer/musician John Keane, is designed to help beginners get off the ground quickly with Pro Tools. It provides tutorials containing very specific step-by-step instructions for recording, editing, and mixing a home demo. The book includes a CD-ROM with a Pro Tools session as part of the tutorial. It is a valuable resource, filled with tips and advice from a seasoned professional. Written in a clear, non-technical, and humorous style, it de-mystifies the recording process, saving the user countless hours of frustration from plowing through reference manuals.
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John Keane is a veteran producer, engineer, and musician who has been involved in many gold and multi-platinum records. He is best known for his work with R.E.M., Indigo Girls, Cowboy Junkies, and Widespread Panic. He owns his own studio in Athens, Georgia, and has been an avid Pro Tools user since 1991. More information about the author and his studio can be found on his website at johnkeanestudios.com.
Foreword by Peter Buck of R.E.M.
I ve known John Keane for almost twenty years. When my band first worked with John, he had just made the huge technological leap from four-track to eight-track analog, of course.
Over the next eighteen or nineteen years and seven or eight albums, I ve watched John expand his studio from eight-track to sixteen-track to twenty-four track, and finally to forty-eight track digital. Every step of the way, John mastered the new equipment and squeezed the most sonically out of each format. Then along came Pro Tools.
I was doing a session with some band now lost in the mists of time when John unpacked the thing. My first question was, "Why would anyone want a television in the control room?" This prompted a twenty-minute explanation from John on the technology and uses of Pro Tools. Of course it was all over my head; I d gotten lost somewhere between the switch from eight tracks to sixteen. I do remember, though, that John used the phrase "This is the wave of the future."
Over the course of the next year, I saw John work his way through the manual, and day by day, miracles occurred. As John became more and more familiar with Pro Tools, recording became easier and easier. Great takes that had one huge glitch were fixed; editing became instantaneous.
Over the years I ve since worked with many Pro Tools operators, and I ve got to say, John can make that thing do things that no one else can. I d recommend this book to anybody, whether beginner or expert. As for myself, I m almost ready to make the jump to sixteen tracks.
See ya, Peter
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