“The simple-ratio intervals upon which Just Intonation is based are special auditory relationships that the human auditory system is able to detect and distinguish from one another and from a host of more complex stimuli. They are what the human auditory system recognizes as consonance, if it ever has the opportunity to hear them in a musical context. For the last two hundred years Western music has been burdened with the equal temperament tuning system, in which all of the supposed consonances, except the octave, deviate significantly from their optimal integer-ratio forms. In the late 1970s and early 1980s the number of composers working with Just Intonation began to increase. The availability of electronic instruments with programmable tuning made it possible for composers to experiment with a variety of different tuning systems without having to invent and build novel instruments or to train performers in unusual playing techniques. But colleges, universities, and conservatories continue to teach a curriculum based on equal temperament, in which students interested in alternate tunings are unlikely to receive much support, encouragement, or practical instruction. The purpose of this book is to provide basic information and skills necessary to read and comprehend intermediate and advanced texts such as Henry Partch’s Genesis of Music, and to prepare the reader to begin independent study and composition. (from the Introduction)
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Paperback. Condition: new. Paperback. Do you want to start making music in Just Intonation, but don't know where to begin? Have you tried to read other books or articles on Just Intonation, only to be baffled by arcane terminology and strings of numbers? Or do you just want to find out what all the talk is about? The Just Intonation Primer will give you the information you need, in a succinct and readable form. With 84 pages of text and over 50 charts and diagrams, The Just Intonation Primer explains the essential concepts of Just Intonation in terms that practicing composers and musicians will understand.About the AuthorDavid B. Doty is a composer, author, instrument builder, and synthesist, and a leading authority on Just Intonation. He is a founding member of the Just Intonation Network and edited the network's journal, 1/1, from its inception in 1984 until 2006. He has worked exclusively in Just Intonation since 1975, composing primarily for American Gamelan and MIDI systems. His compositions in Just Intonation can be heard on his CD Uncommon Practice and Elliot Simpson's CD The Wayward Trail. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780972681001
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