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Marcel Dzama: The Course of Human History Personified - Hardcover

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Synopsis

"Bats, nurses, Marlene Dietrich, a malevolent figure in a bear suit, two cowboys playing king-of-the-mountain on a rosebush, a group of men placidly eating babies at a makeshift picnic table, while, above them, a tree grows more babies: Marcel Dzama is back. As readers will learn in The Course of Human History Personified, he's a sleepwalker, a sleepdrawer--""I draw during the day, but the ideas come at night."" He records his visions in a bedside-table notebook. The finished work, in ink and watercolor, in a limited color scheme, against empty backgrounds, stripped of narrative context, offers many possible interpretations. Its cast of characters is expansive and in each drawing their roles become more complex and defined. Dzama's influences include Blake, Goya, Botticelli, and James Ensor and his sources encompass native mythology, Inuit art, Dante's Divine Comedy, medieval paintings and American folklore. The title, The Course of Human History Personified, is borrowed from Dante and recalls the grandiose artistic and literary cycles of the nineteenth century such as Thomas Cole's 1836 The Course of Empire, where nature plays as large a role as humans. Here nature is personified--imagined characters and trees and beasts assume base human characteristics. If it's a dark view of the world, it's also an entrancing one."

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About the Author

Known for his figurative compositions of pen and watercolor on manila-colored paper with a characteristic palette of muted browns, grays, greens, yellows, and reds, Dzama s drawings are populated by human characters, animals, hybrids sometimes combined with text that are placed against empty backgrounds. Caught in unlikely situations, his characters and their environments are stripped of specific narrative contexts, thus offering many possible interpretations. The artist's cast of characters is expansive and characters often reappear, though in each drawing their roles become more complex and defined. The work draws from a variety of sources, among them native mythology, Inuit art, Dante s Divine Comedy, medieval paintings, and American folklore. Dzama is influenced by the work of William Blake, Francisco de Goya, Sandro Botticelli, and James Ensor, among others.

"About this title" may belong to another edition of this title.

  • PublisherDavid Zwirner
  • Publication date2006
  • ISBN 10 0976913615
  • ISBN 13 9780976913610
  • BindingHardcover
  • LanguageEnglish
  • Edition number1
  • Number of pages96
  • Rating
    • 4.55 out of 5 stars
      31 ratings by Goodreads

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Dzama, Marcel and Jason Rosenfeld, Jason Tougaw
Published by David Zwirner, 2005
ISBN 10: 0976913615 ISBN 13: 9780976913610
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Hardcover boards with a book and an accordion foldout; without dustjacket as issued, very good condition; a couple small stains to covers; no internal marks. Foreign shipping may be extra. Seller Inventory # ThDzDa40

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Marcel Dzama
Published by Zwirner, New York, 2006
ISBN 10: 0976913615 ISBN 13: 9780976913610
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Jason Tougaw and Jason Rosenfeld (Marcel Dzama)
Published by David Zwirner, 2006
ISBN 10: 0976913615 ISBN 13: 9780976913610
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Hardcover. Condition: New. Fine hardcover in illustrated boards. Clean and bright, as new. Still sealed in the publisher's plastic wrap. Unread. No dust jacket, as issued. Seller Inventory # 003622

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Hardcover. Condition: Very Good. No Jacket. 1st Edition. Signed & inscribed by Marcel Dzama to the previous owner on the title page with drawing. 1st edition. Hardbound, no dust jacket. Boards slightly cocked, otherwise very good. Inscribed by Author(s). Seller Inventory # 88659

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Rosenfeld, Jason; Tougaw, Jason; David Zwirner
Published by David Zwirner, 2006
ISBN 10: 0976913615 ISBN 13: 9780976913610
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Jason Rosenfeld, Jason Tougaw
Published by David Zwirner, 2006
ISBN 10: 0976913615 ISBN 13: 9780976913610
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Seller: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.

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Hardcover. Condition: New. 1st Edition. Hardcover volume, measuring approximately 8.75" x 10.75", is new, still in shrink wrap. Work is bound in portfolio format with book pasted to front, inside cover, and 1 folded sheet (17 p.) of illustrations pasted to back, inside cover. 96 pages. Catalogue of an exhibition held at David Zwirner Gallery, New York, NY, 8 September to 8 October 2005. Essays by Jason Rosenfeld and Jason Tougaw. ""Bats, nurses, Marlene Dietrich, a malevolent figure in a bear suit, two cowboys playing king-of-the-mountain on a rosebush, a group of men placidly eating babies at a makeshift picnic table, while, above them, a tree grows more babies: Marcel Dzama is back. As readers will learn in "The Course of Human History Personified," he's a sleepwalker, a sleepdrawer--""I draw during the day, but the ideas come at night."" He records his visions in a bedside-table notebook. The finished work, in ink and watercolor, in a limited color scheme, against empty backgrounds, stripped of narrative context, offers many possible interpretations. Its cast of characters is expansive and in each drawing their roles become more complex and defined. Dzama's influences include Blake, Goya, Botticelli, and James Ensor and his sources encompass native mythology, Inuit art, Dante's Divine Comedy, medieval paintings and American folklore. The title, "The Course of Human History Personified," is borrowed from Dante and recalls the grandiose artistic and literary cycles of the nineteenth century such as Thomas Cole's 1836 "The Course of Empire," where nature plays as large a role as humans. Here nature is personified--imagined characters and trees and beasts assume base human characteristics. If it's a dark view of the world, it's also an entrancing one.". Seller Inventory # ABE-1721445127957

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