In late 2005, Cleveland Clinic invited two artists to witness its people, environs and activities. Larry Fink and Andrew Moore were chosen for their outstanding abilities and contrasting photographic styles. Larry Fink photographed people. His images are like the stage in a darkened theater. His hand-held flash splendidly illuminates the details of the drama before us, revealing the nuance of the moment, while often displaying the sensitive core of interpersonal-relationships. Andrew Moore photographed places. Working with camera on tripod, his large-scale photographs bespeak an intense involvement with architecture, art and history. With every element gorgeously rendered, he is particularly adept at balancing formality and disarray, within a highly nuanced expression of light and color. With unprecedented access over a period of twelve months, the two photographers roamed from rooftop to basement, streetside to bedside, in quest of insights and images. Chance and opportunity governed their choice of places and subjects. While Two Views includes the worlds of medicine, art, science and architecture, it is not a comprehensive record, but an impressionistic overview of a Cleveland Clinic at a fleeting moment in time, hard at work serving patients and the community.
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LARRY FINK has been a professional photographer for 45 years. His one-man shows include the Museum of Modern Art, the San Francisco Museum and the Whitney Museum and he's won two National Endowment for the Arts grants, two Guggenheim Foundation Fellowships and been awarded an honorary doctorate from the College for Creative Studies in Detroit. Fink's books include Social Graces, Boxing, Runway, Forbidden Pictures, Primal Elegance and Somewhere There's Music. His commercial work includes campaigns for Smirnoff, Bacardi and Cunard Lines (Q.E.2). His editorial work appears in Vanity Fair, W, GQ, Detour, New York Times Magazine and the New Yorker. A teacher for 41 years, he has been a professor of photography at Bard College since 1990............ ANDREW MOORE is a fine art photographer and filmmaker with works in the collections of the Whitney Museum, Yale University, George Eastman House and other major museums. He's received grants from the National Endowment for the Humanities and the New York State Council on the Arts. Moore's books include Inside Havana, Governor's Island and Russia and his film How to Draw a Bunny won a special prize at the Sundance Film Festival. Moore teaches at Princeton University and the School of Visual Arts. He is a 2006 artist in residence at Dartmouth College. His 2007 projects include a major retrospective in Amsterdam and a book on Robert Moses accompanied by exhibitions at Columbia University and the Museum of the City of New York.
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