Overspray is the conclusive account of the rise of airbrush art, and of the equally bright and glossy Los Angeles culture alongside which it came to prominence in the 1970s. Inspired by surf graphics, psychadelia and the slick shine of Hollywood, a generation of young artists began to make every lip and palm tree glisten, and every record cover shine. Fueled by a combination of intense demand, sleepless nights and brutal competition, the four men at the center of L.A.'s airbrush art market--Charles E. White III, Peter Palombi, Dave Willardson and Peter Lloyd--embarked on careers encompassing work for Playboy, Levi's, the Rolling Stones, Rod Stewart and major studio films including American Graffiti and Tron. Together, their work came to define the look of illustrative graphics for a generation of viewers. This book tells the story of these four artists for the first time through hundreds of images of the artists' best and best-known work, unseen production roughs, documentary photographs and other ephemera. Viewed now, their surreal, funny and utterly slick imagery seems all the more fantastic--combining technical precision with wild flights of imagination that bring to mind the work of some of today's top artists, from Takashi Murakami to Matthew Barney. Essay by Mike Salisbury, acclaimed designer of everything from Disney logos to Jurassic Park ad campaigns to Sassy magazine.
"synopsis" may belong to another edition of this title.
Norman Hathaway is an art director and design historian whose primary focus is lesser-known and underappreciated design techniques and personalities. His professional experience has spanned many design disciplines, from sign painting to filmmaking, in both the United States and Great Britain. While in England, he led creative efforts for clients including The Design Museum, The Royal Academy of Arts, Paul McCartney and Peter Gabriel. He has lectured widely on the history of design and typography for The London College of Printing, The Royal College of Art and Goldsmiths College. He currently lives in Brooklyn with his daughter Wilma.
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Seller: Half Price Books Inc., Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_451128456
Seller: Diatrope Books, Berkeley, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: very good. Unmarked text. Dust jacket, with slight chipping and a tear at spine head, under clear mylar cover. Beautifully illustrated in color. A comprehensive account of the rise of airbrush art, and of the equally bright and glossy Los Angeles culture in which it flourished during the 1970s. Artists include Dave Willardson, Charles E. White III, Peter Palombi, and Peter Lloyd. Essay by Mike Salisbury. Background by Norman Hathaway. 228p. Measures 9.5x10.5 inches. Seller Inventory # 35514
Seller: Book Alley, Pasadena, CA, U.S.A.
hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. A very good hardcover in a slightly shelfworn dust jacket. No markings. Seller Inventory # mon0000751839
Seller: Counterpoint Records & Books, Los Angeles, CA, U.S.A.
Hardcover. Condition: Good +. Dust Jacket Condition: Fair +. White and gray illustrated paper covered boards, gray titles at spine, moderate shelf wear to corners, edges, and head and tail of spine, corners straight. Book body clean and tight, fully illustrated in color. Signed by Mike Salisbury at photographic page preceding his essay. Glossy illustrated dust jacket shows heavy shelf wear and creasing to covers, corners, edges and tail of spine, heaviest wear to top edge and an inch-long tear to head of spine, reversible illustrations on inside, white titles at front, black titles at spine, no cuts or clippings, archival Brodart protected. Seller Inventory # 48778
Seller: Browsing Is Arousing, Middlebury, VT, U.S.A.
Condition: Very Good. Hardcover, 226 pages. Color illustrations. Overspray is the conclusive account of the rise of airbrush art, and of the equally bright and glossy Los Angeles culture alongside which it came to prominence in the 1970s. Inspired by surf graphics, psychadelia and the slick shine of Hollywood, a generation of young artists began to make every lip and palm tree glisten, and every record cover shine. Fueled by a combination of intense demand, sleepless nights and brutal competition, the four men at the center of L.A.'s airbrush art market--Charles E. White III, Peter Palombi, Dave Willardson and Peter Lloyd-embarked on careers encompassing work for Playboy, Levi's, the Rolling Stones, Rod Stewart and major studio films including American Graffiti and Tron. Together, their work came to define the look of illustrative graphics for a generation of viewers. This book tells the story of these four artists for the first time through hundreds of images of the artists' best and best-known work, unseen production roughs, documentary photographs and other ephemera. Viewed now, their surreal, funny and utterly slick imagery seems all the more fantastic-combining technical precision with wild flights of imagination that bring to mind the work of some of today's top artists, from Takashi Murakami to Matthew Barney. Essay by Mike Salisbury, acclaimed designer of everything from Disney logos to Jurassic Park ad campaigns to Sassy magazine. Record # 361403. Seller Inventory # 361403
Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 35D87_19_0979415306