The Radio Magician and Other Stories - Softcover

Van Pelt, James

Softcover

ISBN 10: 098207302X ISBN 13: 9780982073025

Publisher: Fairwood Press, 2009

Synopsis

Mixing straightforward science fiction ideas, such as the search for habitable planets, the terra-forming of Venus, and a time-traveling substitute teacher, along with fantasy concepts, such as saving the Earth from nuclear destruction through supernatural sacrifice, a teen werewolf agoning over attending prom on the night of the full moon, or a young boy who denies his polio by listening to a radio magician, to tales of horror where a pair of fathers have both lost sons, or an inn so vast that a man may never find his wife, The Radio Magician and Other Stories showcases James Van Pelt's wide-ranging talent as a tale spinner of the fantastic.

About this title

Review

As Carrie Vaughan's introduction promises, Van Pelt's stories are populated by well-realized characters, haunting and spot-on, ranging in age and situation from middle-school kids to centuries-old scientists on adoomed exploratory mission, and not all human. "One Day in the Middle of the Night" unfolds a tale of space colonization by means of line-by-line reference to a classic middle-school rhyme. The collection concluding"How Music Begins" has a high-school band being abducted by aliens and forced to be brilliant. In "The Last Age Should Know Your Heart," two ancient maintenance bots finally meet at the edge of their territories and share their last moments of power. In "Lashwanda at the End," scientists exploring a new planet find a kind of life they never could have imagined. "The Radio Magician" is a visit to a world ravaged by epidemic polio, rife with desperate solutions, and occasionally motivated by the power of belief. In extraordinary and ordinary worlds, in the past and the future, these stories present many facets of the human condition in amazing contexts. --Booklist

James Van Pelt is an acclaimed and prolific writer of stories that could be categorized in many genre modes, yet everything he writes bears his own stamp: an attention to detail that gives even the outlandish a sense of the everyday (or the nightmare we take for normality when we sleep) and protagonists more troubled than heroic, whether or not they're human...Whether he's describing events in a household, a planet or a galaxy, Van Pelt can give it that air of nightmarish normality I tend to find oppressive in anything shorter than a novel, as though the confines of a shorter work make it claustrophobic. But "Tiny Voices" won me over, as it mingles the dark mundane (a hospitalized dying woman) with genuinely science-fictional imagination in a microchipped near-future where everything from coffee pots to pens has a mind, and voice of its own. From that point I kept an eye out for similar combination of humanity with imaginative leaps and found it most of all toward the end of the collection, in particular "The Saturn Ring Blues," where a spaceman about to race the Rings in his "buglighter" contemplates old blues, musicians, a beautiful woman, and the special exhilirations that music, desire, and spaceflight can all arouse, in language as terse and potent as poetry. --Locus

[The title story] is a beautiful combination of nostalgia and hope. Other stories range from horror in 19th-century Century City to a lot of far-future science fiction. Relationships interrupted by long periods of deep sleep is a repeated theme...These stories first appeared in a wide range of magazines. Science-fiction magazines are suffering for a lack of readers but Van Pelt is proof they are publishing a lot of wonderful stories. --The Denver Post

An eclectic collection which spans the range from urban fantasy to core science fiction. The Radio Magician is a bit of a rare bird - a collection of short stories that don't share a genre or a common theme, and yet clearly belong together. Each story tells a vastly different tale, with concepts that range from the terraforming of Venus to the loss of a child, but Van Pelt ties them all together by creating a strong bond between the reader and the character. No matter how large the stage, each situation puts his audience inside the protagonist's head, making emotions motivations and desires crystal clear. I had actually read two of the stories included in this collection before, and since both had appeared in "Best of the Year" anthologies (and I'd selected one of them as the most enjoyable of that particular Year's Best), I assumed that they would be the strongest of the lot. I was wrong. The entire collection maintains the high quality that has established Van Pelt as a master of the short form in the SF / F genre. If I had to choose favorites, I would probably go with the title story, "The Radio Magician", "How Music Begins" and "The Small Astral Object Genius". Each of these focuses closely on the experience of one individual as enormously important things go on around them. "The Radio Magician" is a variation on the theme of severely ill children, and as such it hits you in the gut as opposed to the head. But Van Pelt's delicacy in dealing with the situation and his use of unexplained phenomena turn what could have been a typical cliché story into something magical. It takes a lot to overcome my resistance to urban fantasy, but this story succeeds. "How Music Begins" is much more aligned with my usual taste, and is also one of the best stories I've read over the last couple of years (I chose this one as my favorite in Hartwell's Year's Best 13). It tells the story of a high-school band abducted by aliens for reasons of their own. Their growth and the poignant ending are masterfully executed. The third favorite story, "The Small Astral Object Genius", is another story about a youngster with problems that are beyond his control. This story focuses very tightly on a high-school boy whose method for dealing with the fact that his parent's marriage is falling apart affects many more lives than his own. As in every antho, there are stories I didn't enjoy as much, but they were truly limited in number, and might be a question of taste - of the three which I found less enjoyable, two were fantasy while the third was a pretty straightforward love story. Other readers might enjoy them more than I did. Also, those readers who are looking for space battles and questions resolved on a cosmic scale should look elsewhere. The last nit isn't really a nit at all - it's a compliment to the talent of Mr. Van Pelt: this is a reprint collection, and the stories, for the most part, appeared in major publications. It is quite possible that people who read widely in the genre will have encountered many of them before. In conclusion, I believe there is something here for everyone who enjoys science fiction or urban fantasy, and who appreciates emotional depth as well as thought-provoking concepts. --SFReader.com

From Publishers Weekly

From robots to werewolves, witchcraft to terraforming, James Van Pelt's neatly crafted short stories have been a mainstay in science fiction and fantasy magazines for a generation. In his third collection, nineteen reprinted stories demonstrate once again Van Pelt's fertile imagination, as well as his broadly appealing and flexible style. The title story is a Bradbury-esque tale of a boy crippled by polio who puts desperate hope for a cure in the illusions of a magician on the radio. "Of Late I Dreamt of Venus" and "How Music Begins" examine the cost of perfection, while "The Last Age Should Know Your Heart" and "Tiny Voices" explore the value of life from unusual perspectives. In some of the more episodic stories, Van Pelt tackles the ugly price of world peace in "The Light of a Thousand Suns", the mix of teenage angst and magic in "Origins of the Species", and the post-apocalyptic follies in "The Ice Cream Man"-all reminiscent of classic Twilight Zone tales: rich with provocative ideas. Readers are bound to enjoy these stories from an author who is as equally at home with magic as he is with hot-rodding spaceship pilots.
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About this edition

• Publisher: Fairwood Press
• Publication date: 2009
• ISBN 10: 098207302X
• ISBN 13: 9780982073025
• Binding: Paperback
• Number of pages: 296