No invitation, no alibi... Jolie Goodman is a perennial good girl—which is how she wound up selling shoes at Neiman Marcus during the holiday season: She walked out on her brokerage job because her boss asked her to do something unethical. Now she’s trying to start her own brokerage firm in Atlanta at the worst possible time. Also pressing on her mind is the fact that her boyfriend of the last few months is missing...along with her car. With problems piling on, she manages to make a new friend at work, but too late she realizes her gal pal Carlotta Wren is a serial party crasher—which is fun...at first. But no one’s laughing when a body turns up at an upscale party they’ve crashed and they’re the only people who aren’t supposed to be there! Jolie vows she’ll never crash another party...if she gets out of this mess alive.
"synopsis" may belong to another edition of this title.
Stephanie Bond was five years deep into a corporate career in computer programming and pursuing an MBA at night when an instructor remarked she had a flair for writing and suggested she submit material to academic journals. But Stephanie was more interested in writing fiction—more specifically, romance and mystery novels. After writing in her spare time for two years, she sold her first manuscript, a romantic comedy, to Harlequin Books. After selling ten additional projects to two publishers, she left her corporate job to write fiction full-time. To-date, Stephanie has more than sixty published novels to her name, including the popular BODY MOVERS humorous mystery series. For more information, visit www.stephaniebond.com.
Modern-day Cinderella Jolie Goodman isn't dressing up for the ball in Miu Miu shoes and an Ultrasuede jumpsuit "borrowed" from Neiman Marcus in order to find her princeâ€"she's trying to discover who's behind the disappearance of her shady boyfriend. And instead of being hindered by two evil stepsisters, Jolie has two expert party crashers at her side, sneaking her into Atlanta's most exclusive affairs so that she can grill her boyfriend's upper-class pals. Jolie's prince eventually does appear, in the form of hunky media empire heir Beck Underwood, satisfying the book's "romantic suspense" label, but as Jolie stumbles from one near disaster to another, Bond (Kill the Competition, etc.) lays on the laughs with such enthusiasm that "comic suspense" might be a better description. The danger and hilarity stirred up by Jolie's amateur sleuthing play strongly off each other, leaving Beck looking like a monkey in the middle until the unlikely, syrupy denouement, which seems as tacked on and superfluous as a giant bow on an elegant Vera Wang gown. But Bond delivers a true catch-you-by-surprise plot twist that gives the story a good yank in the right direction and may even leave readers with a few devious thoughts on how to crash some parties of their own.
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