Synopsis
Francis Mirkovi?, a French Intelligence Services agent for fifteen years, is travelling first class on the train from Milan to Rome. Handcuffed to the luggage rack above him is a briefcase containing a wealth of information about the war criminals, terrorists and arms dealers of the Zone – the Mediterranean region, from Barcelona to Beirut, from Algiers to Trieste, which has become his speciality – to sell to the Vatican. Exhausted by alcohol and amphetamines, he revisits the violent history of the Zone and his own participation in that violence, beginning as a mercenary fighting for a far-right Croatian militia in the 1990s. One of the truly original books of the decade, and written as a single, hypnotic, propulsive, physically irresistible sentence, Mathias Enard’s Zone is an Iliad for our time, an extraordinary and panoramic view of violent conflict and its consequences in the twentieth century and beyond.
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About the Author
Mathias Enard, born in 1972, studied Persian and Arabic and spent long periods in the Middle East. He has lived in Barcelona for about fifteen years, interrupted in 2013 by a writing residency in Berlin. He won several awards for ZONE, including the Prix du Livre Inter and the Prix Decembre, and won the Liste Goncourt/Le Choix de l'Orient, the Prix litteraire de la Porte Doree and the Prix du Roman-News for STREET OF THIEVES. He won the 2015 Prix Goncourt, the 2017 Leipziger Book Award for European Understanding, and was shortlisted for the 2017 Man Booker International Prize for COMPASS.
From Publishers Weekly
Starred Review. Homeric in its scope and grandeur, remarkable in its detail, Énard's American debut is a screaming take on history, war, and violence. Francis Servain Mirkovic, the son of a French father and a Croatian mother, is a spy whose job it is to resell stolen secrets to their legitimate owners. His "Zone" is the Mediterranean. It is the early 21st century and he is on his last mission, taking a train from Milan to Rome under a fake name and revisiting, in a blistering stream-of-consciousness (periods are few and far between), his childhood, his career, and various women, among them Sashka, the Russian painter he plans to meet in Rome; Marianne, from his youth; and Stéphanie, his fellow agent. Weighing heavily on him is his time with the Croatian army during the "Yugoslav madness," where he witnessed and took part in atrocities. As Francis's train speeds along, his story picks up momentum, becoming nearly frantic by the final stretch. Mandell's translation of the extravagant text is stunning. (Dec.) (c)
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