Fiction. Poetry. Anthology. This second installment of THE BEST SMALL FICTIONS, edited by series editor Tara L. Masih and guest editor Stuart Dybek, continues to celebrate the diversity and quality captured in fiction forms fewer than 1,000 words. Forty-five acclaimed and emerging writers including Alberto Chimal, Toh EnJoe, Kathy Fish, Amelia Gray, Etgar Keret, R. O. Kwon, and Eliel Lucero offer readers 'some of the brightest concise writing available today.' (NewPages). With spotlights on Texture Press and author Megan Giddings, the acclaimed new series, with its 'finger on the pulse,' succeeds in its aim to make something big from many small things.
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Featuring Small Fictions by: Amir Adam, Daniel Aristi, Tina Barry, Paul Beckman, Laurie Blauner, John Brantingham, Alberto Chimal, Justin Lawrence Daugherty, Toh EnJoe, Grant Faulkner, Kathy Fish, Rosie Forrest, Megan Giddings, Amelia Gray, Charles Hansmann, Britt Haraway, Mary-Jane Holmes, Laird Hunt, A. Nicole Kelly, James Kennedy, Etgar Keret, R. O. Kwon, Nathan Leslie, Paul Lisicky, Eliel Lucero, Nancy Ludmerer, Melissa Manning, Michael Martone, Elizabeth Morton, David Naimon, Jessica Plante, Dianca London Potts, Dawn Raffel, James Reidel, Sophie Rosenblum, Caitlin Scarano, Vincent Scarpa, Robert Scotellaro, Courtney Sender, Janey Skinner, Curtis Smith, Robert Vaughan, Clio Velentza
'Readers, don't let the word 'small' throw you off. This year's edition of The Best Small Fictions redefines the word with writing that towers above the rest.' ----NewPages
'At their ends, these stories pray, roar, walk out, ring, hold on, go back to sleep, listen, tell, touch, talk, think, sink, hobo south, get swallowed, ask, show, discover, murmur, beckon, imagine, gaze up,bang out, hope, reach, throw, nod, dwindle, climb, grin, float into the darkness, hang on, drive off, defog, drape, rinse away, flick, blink out, grow, call, cry, reply, face the dawning light--and stop.' ----Flash Fiction Review
'The best of these fictional vignettes are like a splash of ice water in the face. . . . They create their emotional effects witha quick windup and a powerful release, often a final, lingering image.' ----Harvard Review
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