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Class, Gender, and Sexuality in Thomas Gainsborough’s Blue Boy (Routledge Research in Gender and Art) - Softcover

 
9781032401317: Class, Gender, and Sexuality in Thomas Gainsborough’s Blue Boy (Routledge Research in Gender and Art)
  • PublisherRoutledge
  • Publication date2022
  • ISBN 10 1032401311
  • ISBN 13 9781032401317
  • BindingPaperback
  • Edition number1
  • Number of pages228

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Anquetil Stéphane
Published by 404 éditions, 2017
ISBN 10: 1032401311 ISBN 13: 9781032401317
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Couverture souple. Condition: bon. R320170207: 2017. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 284 pages - nombreuses illustrations en noir et blanc dans et hors texte. . . . Classification Dewey : 840.092-XXI ème siècle. Seller Inventory # R320170207

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Paperback. Condition: new. Paperback. The reception of Thomas Gainsboroughs Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsboroughs painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed. This book considers the historical reception of Thomas Gainsboroughs Blue Boy (c. 1770) from its creation to manifestations of its image in contemporary art and visual culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781032401317

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Paperback. Condition: new. Paperback. The reception of Thomas Gainsboroughs Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsboroughs painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed. This book considers the historical reception of Thomas Gainsboroughs Blue Boy (c. 1770) from its creation to manifestations of its image in contemporary art and visual culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781032401317

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Paperback. Condition: new. Paperback. The reception of Thomas Gainsboroughs Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsboroughs painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed. This book considers the historical reception of Thomas Gainsboroughs Blue Boy (c. 1770) from its creation to manifestations of its image in contemporary art and visual culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781032401317

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