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Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 275 pages : 24 cm. Contents: 1. Introduction; 2. Why study record production?; 3. How should we study record production?; Theoretical interlude 1; 4. Sonic cartoons; 5. Staging; Theoretical interlude 2; 6. The development of audio technology; 7. Using technology; Theoretical interlude 3; 8. Training, communication and practice; 9. Performance in the studio; Theoretical interlude 4; 10. Aesthetics and consumer influence; 11. The business of record production; Afterword. Seller Inventory # 8jbew983
Book Description Condition: New. Seller Inventory # ABLIING23Mar2317530265913
Book Description Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book. Seller Inventory # ria9781107075641_lsuk
Book Description Hardcover. Condition: new. This item is printed on demand. Seller Inventory # 9781107075641
Book Description Condition: new. Questo è un articolo print on demand. Seller Inventory # fb523a6a515f106485e58270769571f9
Book Description Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Seller Inventory # C9781107075641
Book Description Hardcover. Condition: Brand New. 269 pages. 9.00x7.00x1.00 inches. In Stock. Seller Inventory # __1107075645
Book Description Condition: New. pp. 295. Seller Inventory # 2698181370
Book Description Condition: New. Print on Demand pp. 295. Seller Inventory # 95264549
Book Description Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas sets out a framework for the study of recorded music and record production using current ideas from psychology and sociology.Über den Autor. Seller Inventory # 127684918