The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.
"synopsis" may belong to another edition of this title.
The Cambridge Shakespeare (1863-1866), is still valued for its careful editorial principles, attractive page design and elegant typography. The base text is the 1623 Folio, collated with the later Folios and Quartos. It includes a full critical apparatus and notes, and restores some 'profane' expressions censored in earlier editions.
Arguably the greatest English-language playwright, William Shakespeare was a seventeenth-century writer and dramatist, and is known as the Bard of Avon. Under the patronage of Queen Elizabeth I, he penned more than 30 plays, 154 sonnets, and numerous narrative poems and short verses. Equally accomplished in histories, tragedies, comedy, and romance, Shakespeare s most famous works include Romeo and Juliet, Hamlet, Macbeth, King Lear, The Taming of the Shrew, and As You Like It.
Like many of his contemporaries, including Christopher Marlowe, Shakespeare began his career on the stage, eventually rising to become part-owner of Lord Chamberlain s Men, a popular dramatic company of his day, and of the storied Globe Theatre in London.
Extremely popular in his lifetime, Shakespeare s works continue to resonate more than three hundred years after his death. His plays are performed more often than any other playwright s, have been translated into every major language in the world, and are studied widely by scholars and students.
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Condition: New. The careful editorial principles, attractive design and elegant typography of this 1860s Shakespeare edition have withstood the test of time. Editor(s): Clark, William George; Wright, William Aldis. Series: Cambridge Library Collection - Shakespeare and Renaissance Drama. Num Pages: 556 pages, black & white illustrations. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 29. Weight in Grams: 640. . 2009. 1st Edition. paperback. . . . . Seller Inventory # V9781108000833
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Condition: New. The careful editorial principles, attractive design and elegant typography of this 1860s Shakespeare edition have withstood the test of time. Editor(s): Clark, William George; Wright, William Aldis. Series: Cambridge Library Collection - Shakespeare and Renaissance Drama. Num Pages: 556 pages, black & white illustrations. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 29. Weight in Grams: 640. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781108000833
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Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand pp. 556 22:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on White w/Gloss Lam. Seller Inventory # 8313159
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Seller: CitiRetail, Stevenage, United Kingdom
Paperback. Condition: new. Paperback. The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it. The Cambridge Shakespeare (18631866), is still valued for its careful editorial principles, attractive page design and elegant typography. The base text is the 1623 Folio, collated with the later Folios and Quartos. It includes a full critical apparatus and notes, and restores some 'profane' expressions censored in earlier editions. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781108000833
Quantity: 1 available