The Reverend Matthew Albert Bayfield (1852–1922) published this study at the end of his life after a long career as classical scholar, editor of Greek tragedies and headmaster of several public schools. He gives an account of the structure and characteristic features of Shakespeare's dramatic verse and argues that it has been fundamentally misunderstood by other scholars. In particular, he analyses the use of contractions or abbreviations found in the Folio and Quartos and continued in the editions of his own time. He weighs up which of the contractions familiar from many editions were actually Shakespeare's, and what that reveals about how Shakespeare might have intended his prose and verse to be spoken. Bayfield's many appendices evaluating the metre of specific lines and his detailed linguistic analysis remain thought-provoking for modern editors and scholars of Shakespeare.
"synopsis" may belong to another edition of this title.
Matthew Bayfield (1852-1922), classical scholar and educator, argues passionately against the contractions used in editions of Shakespeare, and contends they are not what the playwright intended. An appendix shows how he would re-edit Antony and Cleopatra with all abbreviations expanded.
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Paperback. Condition: New. The Reverend Matthew Albert Bayfield (1852-1922) published this study at the end of his life after a long career as classical scholar, editor of Greek tragedies and headmaster of several public schools. He gives an account of the structure and characteristic features of Shakespeare's dramatic verse and argues that it has been fundamentally misunderstood by other scholars. In particular, he analyses the use of contractions or abbreviations found in the Folio and Quartos and continued in the editions of his own time. He weighs up which of the contractions familiar from many editions were actually Shakespeare's, and what that reveals about how Shakespeare might have intended his prose and verse to be spoken. Bayfield's many appendices evaluating the metre of specific lines and his detailed linguistic analysis remain thought-provoking for modern editors and scholars of Shakespeare. Seller Inventory # LU-9781108002530
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Condition: New. Bayfield's analysis of Shakespeare's verse and prose style and the effect of different editions on the sound of Shakespeare. Series: Cambridge Library Collection - Shakespeare and Renaissance Drama. Num Pages: 540 pages, black & white illustrations. BIC Classification: 2AB; DSGS. Category: (P) Professional & Vocational. Dimension: 198 x 129 x 31. Weight in Grams: 680. . 2009. 1st Edition. paperback. . . . . Seller Inventory # V9781108002530
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Condition: New. Bayfield's analysis of Shakespeare's verse and prose style and the effect of different editions on the sound of Shakespeare. Series: Cambridge Library Collection - Shakespeare and Renaissance Drama. Num Pages: 540 pages, black & white illustrations. BIC Classification: 2AB; DSGS. Category: (P) Professional & Vocational. Dimension: 198 x 129 x 31. Weight in Grams: 680. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781108002530
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Paperback. Condition: new. Paperback. The Reverend Matthew Albert Bayfield (18521922) published this study at the end of his life after a long career as classical scholar, editor of Greek tragedies and headmaster of several public schools. He gives an account of the structure and characteristic features of Shakespeare's dramatic verse and argues that it has been fundamentally misunderstood by other scholars. In particular, he analyses the use of contractions or abbreviations found in the Folio and Quartos and continued in the editions of his own time. He weighs up which of the contractions familiar from many editions were actually Shakespeare's, and what that reveals about how Shakespeare might have intended his prose and verse to be spoken. Bayfield's many appendices evaluating the metre of specific lines and his detailed linguistic analysis remain thought-provoking for modern editors and scholars of Shakespeare. Matthew Bayfield (18521922), classical scholar and educator, argues passionately against the contractions used in editions of Shakespeare, and contends they are not what the playwright intended. An appendix shows how he would re-edit Antony and Cleopatra with all abbreviations expanded. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781108002530
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisPreface Part I. Shakespeare s Versification: 1. The predominant characteristic of Shakespeare s verse 2. Metre and rhythm Part II. The Early Texts: 3. Abolition of resolutions and other abbreviations in the verse 4. Seller Inventory # 447223822
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