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Music and the Queer Body in English Literature at the Fin de Siècle (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 137) - Hardcover

 
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  • PublisherCambridge University Press
  • Publication date2022
  • ISBN 10 1108839207
  • ISBN 13 9781108839204
  • BindingHardcover
  • LanguageEnglish
  • Number of pages250

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Riddell, Fraser
ISBN 10: 1108839207 ISBN 13: 9781108839204
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Hardcover. Condition: Near Fine. A nice, bright copy. ; Cambridge Studies in Nineteenth-Century Literature and Culture; Vol. 137; 6.25 X 0.75 X 9 inches; 277 pages. Seller Inventory # 321801

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Riddell, Fraser
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Hardcover. Condition: Like New. First Edition. A firm and square hardback with sharp corners and strong joints just showing a few very minor cosmetic rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition and appears unread. Thus the contents are crisp, fresh and tight. Also, no pen-marks and not from a library so no such stamps or labels. Now offered for sale at a very sensible price. Seller Inventory # 128716

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Hardcover. Condition: new. Hardcover. Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siecle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core. Synthesizing music, literature and theory, Fraser Riddell reveals the importance of music in emergent queer identities at the fin de siecle. Illuminating for both students and researchers of the period, his compelling arguments for music's queer agency will fascinate anyone interested in Aestheticism, Decadence and the Bloomsbury Group. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781108839204

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Hardcover. Condition: Brand New. 250 pages. 9.00x6.00x0.69 inches. In Stock. This item is printed on demand. Seller Inventory # __1108839207

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