Spanning a hundred years (1910 – 2010) and three geographical locations – Europe, Japan and North America – this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way.
The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of performance studies, performing arts, fine and visual arts and cultural studies.
"synopsis" may belong to another edition of this title.
Natasha Lushetich lectures at the University of Exeter, UK, where her specialist areas include intermedia, live art, questions of identity and ideology, and performance and philosophy.
Natasha Lushetich lectures at the University of Exeter, UK, where her specialist areas include intermedia, live art, questions of identity and ideology, and performance and philosophy.
"About this title" may belong to another edition of this title.
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Paperback. Condition: New. Spanning a hundred years (1910 - 2010) and three geographical locations - Europe, Japan and North America - this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of performance studies, performing arts, fine and visual arts and cultural studies. Seller Inventory # LU-9781137335012
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Condition: New. This book introduces the fundamental concepts of interdisciplinarity in performance, tracing its development from Futurism and Dadaism to the present. It enables students to understand the different modes of interdisciplinary performance making, and to conceive and realise performance work of their own. Num Pages: 296 pages, 18 halftones. BIC Classification: AN; AS. Category: (U) Tertiary Education (US: College). Dimension: 234 x 156. Weight in Grams: 454. . 2016. 1st ed. 2016. Paperback. . . . . Seller Inventory # V9781137335012
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Condition: New. This book introduces the fundamental concepts of interdisciplinarity in performance, tracing its development from Futurism and Dadaism to the present. It enables students to understand the different modes of interdisciplinary performance making, and to conceive and realise performance work of their own. Num Pages: 296 pages, 18 halftones. BIC Classification: AN; AS. Category: (U) Tertiary Education (US: College). Dimension: 234 x 156. Weight in Grams: 454. . 2016. 1st ed. 2016. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781137335012
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