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Book Description Condition: New. Seller Inventory # 38641101-n
Book Description paperback. Condition: New. Language: ENG. Seller Inventory # 9781138365575
Book Description Paperback. Condition: New. Seller Inventory # 6666-TNFPD-9781138365575
Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9781138365575
Book Description Paperback. Condition: Brand New. 109 pages. 8.00x5.00x0.25 inches. In Stock. Seller Inventory # __1138365572
Book Description Condition: New. Seller Inventory # 38641101-n
Book Description Paperback. Condition: new. Paperback. First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethovens piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56. First published in 1996, this volume examines Beethovens piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781138365575
Book Description Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Antony HopkinsFirst published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our othe. Seller Inventory # 595397135
Book Description Paperback. Condition: New. New. book. Seller Inventory # ERICA77311383655726