Become a master in the influential, diverse, and highly innovative field of experimental filmmaking. Harness the little-known techniques and subtle aesthetics required for this imagination-driven art form.
For the first time in a single volume, Kathryn Ramey has written a thorough, hands-on guide to the craft and processes of experimental filmmaking, showing you step-by-step the material methods that will help you begin an experimental media practice. From these lessons, following the tradition of Stan Brakhage’s A Moving Picture Giving and Taking Book and Hell Hill’s Recipes for Disaster, you’ll learn to take materials apart and put them together in new ways, use products for purposes other than those intended by their manufacturers, and free yourself from the constraints of conventional media. Experimental Filmmaking provides:
Whether you’re an aspiring experimental filmmaker or mainstream practitioner who wants to incorporate alternative techniques in your films, Experimental Filmmaking: Break the Machine gives you the tools you need execute your most daring cinematic endeavors!
"synopsis" may belong to another edition of this title.
Kathryn Ramey is a filmmaker and anthropologist whose work operates at the intersection of experimental film processes and ethnographic research. Her award-winning and strongly personal films are characterized by the manipulation of celluloid, including hand-processing, optical printing, and various direct animation techniques, and have been screened at film festivals and other venues around the world. Kathryn is an associate professor of filmmaking at Emerson College’s Department of Visual and Media Arts in Boston, MA.
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