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Synopsis
The world of cinematography has changed more in the last few years than it has since it has in 1929, when sound recording was introduced. New technology, new tools and new methods have revolutionized the art and craft of telling stories visually. While some aspects of visual language, lighting and color are eternal, shooting methods, workflow and cameras have changed radically. Even experienced film artists have a need to...
About the Author
Blain Brown was educated at C.W. Post College; M.I.T. and Harvard Graduate School of Design. He began in New York as a commercial still photographer before starting in the film business. After working as a gaffer, be became a cinematographer doing primarily commercials and music videos. After completing his first feature film, he moved to Los Angeles where he has been Director of Photography on 14 feature...
Review
"It’s been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!"
- Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts
"As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading...
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- PublisherRoutledge
- Publication date2016
- ISBN 10 1138940925
- ISBN 13 9781138940925
- BindingPaperback
- LanguageEnglish
- Edition number3
- Number of pages422
- Rating
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Cinematography: Theory and Practice: Image Making for Cinematographers and Directors
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Cinematography: Theory and Practice: Image Making for Cinematographers and Directors
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Cinematography Theory and Prac
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Cinematography Theory and Prac
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Cinematography: Theory and Practice: Image Making for Cinematographers and Directors
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