Opera in Postwar Venice (Cambridge Studies in Opera) - Softcover

Boyd-Bennett, Harriet

Softcover

ISBN 10: 1316620573 ISBN 13: 9781316620571

Publisher: Cambridge University Press, 2021

Synopsis

Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono.

About this title

About the Author

Harriet Boyd-Bennett is Assistant Professor at the University of Nottingham. Prior to this she was Leverhulme Early Career Fellow at Nottingham and Junior Research Fellow at Christ Church, Oxford. She has published widely on music, culture and politics in Italy, modern opera performance and the musical avant-garde.

Edition details

• Publisher: Cambridge University Press
• Publication date: 2021
• Language: English
• ISBN 10: 1316620573
• ISBN 13: 9781316620571
• Binding: Paperback
• Number of pages: 244