An introduction to Eastern storytelling that opens readers’ minds to radically different ways of telling a satisfying story.
Discussions in the West around diversity in the arts often focus on the identities of characters and creators. Speculative fiction author and writing instructor Henry Lien makes the pathbreaking argument that diversity is about more than just plopping different faces into stories that are 100 percent Western in spirit; it can―and should―encompass diverse structures, themes, and values.
Using examples ranging from Parasite to The Thousand and One Nights to the Mario video game franchise, Lien shows how storytelling staples in the West, such as the three-act structure and themes of empowerment and change, are far from universal. He introduces the East Asian four-act structure (kishotenketsu), as well as circular and nested structures, and explains how Eastern value systems such as collectivism can dictate form. Spring, Summer, Asteroid, Bird is essential reading for any writer or reader who wants to broaden their understanding of how to tell a satisfying story.
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Henry Lien is a speculative fiction author and writing instructor who teaches classes on Eastern storytelling. His writing has been nominated several times for a Nebula Award for speculative fiction. Born in Taiwan, he now lives in Los Angeles, California.
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Paperback. Condition: New. Discussions in the West around diversity in the arts often focus on the identities of characters and creators. Henry Lien makes the pathbreaking argument that diversity is about more than just plopping different faces into stories that are 100 percent Western in spirit; it can-and should-encompass diverse structures, themes and values. Using examples ranging from Parasite to The Thousand and One Nights to the Mario video game franchise, Lien shows how storytelling staples in the West, such as the three-act structure and themes of empowerment and change, are far from universal. He introduces the East Asian four-act structure (kishotenketsu), as well as circular and nested structures, and explains how Eastern value systems such as collectivism can dictate form. Spring, Summer, Asteroid, Bird is essential reading for any writer or reader who wants to broaden their understanding of how to tell a satisfying story. Seller Inventory # LU-9781324079101
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Paperback. Condition: new. Paperback. Discussions in the West around diversity in the arts often focus on the identities of characters and creators. Speculative fiction author and writing instructor Henry Lien makes the pathbreaking argument that diversity is about more than just plopping different faces into stories that are 100 percent Western in spirit; it can-and should-encompass diverse structures, themes, and values. Using examples ranging from Parasite to The Thousand and One Nights to the Mario video game franchise, Lien shows how storytelling staples in the West, such as the three-act structure and themes of empowerment and change, are far from universal. He introduces the East Asian four-act structure (kishotenketsu), as well as circular and nested structures, and explains how Eastern value systems such as collectivism can dictate form. Spring, Summer, Asteroid, Bird is essential reading for any writer or reader who wants to broaden their understanding of how to tell a satisfying story. An introduction to Eastern storytelling that opens readers minds to radically different ways of telling a satisfying story Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781324079101
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Paperback. Condition: New. Discussions in the West around diversity in the arts often focus on the identities of characters and creators. Henry Lien makes the pathbreaking argument that diversity is about more than just plopping different faces into stories that are 100 percent Western in spirit; it can-and should-encompass diverse structures, themes and values. Using examples ranging from Parasite to The Thousand and One Nights to the Mario video game franchise, Lien shows how storytelling staples in the West, such as the three-act structure and themes of empowerment and change, are far from universal. He introduces the East Asian four-act structure (kishotenketsu), as well as circular and nested structures, and explains how Eastern value systems such as collectivism can dictate form. Spring, Summer, Asteroid, Bird is essential reading for any writer or reader who wants to broaden their understanding of how to tell a satisfying story. Seller Inventory # LU-9781324079101
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