Soviet Critical Design is the first book to explore the socialist design practice of 'artistic projecteering', which was developed by the USSR's Senezh Experimental Studio in the 1960s.
Tom Cubbin examines the studio as a site for the development of the design discipline in the optimistic environment of the 1960s Soviet Thaw. He also explores how designers adapted to the fast-changing Soviet Union of the 1970s and 1980s, considering their approach to critical projects highlighting the Soviet state's treatment of citizens, urban heritage and public spaces.
Drawing on previously unpublished visual material from private archives and also extensive interviews, this book presents a new history of the late socialist period in the USSR, which gives insight into the creative strategies of designers who engaged their practice as a contribution to broader discussions on alternative models for socialist existence. Cubbin shows how artistic projecteering must be read as a utopian activity which privileged the political and ideological over the functional.
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Tom Cubbin is Senior Lecturer in Design Studies and head of Campus Steneby, part of the Artistic Faculty at the University of Gothenburg, Sweden. He is a design historian and has a background in Russian and Soviet history. He has contributed to the Bloomsbury Encyclopedia of Design and has had several articles published in Home Cultures, Estonian Art, and the Calvert Journal.
Grace Lees-Maffei is Professor of Design History at the University of Hertfordshire, UK. She is the editor of Iconic Designs (Bloomsbury Visual Arts, 2014) and Writing Design (Berg, 2011), co-author of Reading Graphic Design in Cultural Context (Bloomsbury Visual Arts, 2019), and co-editor of Made in Italy (Bloomsbury Academic, 2013) and The Design History Reader (Berg, 2010, second edition forthcoming). She is also co-editor of Bloomsbury's Cultural Histories of Design series.
Kjetil Fallan is Professor of Design History at the University of Oslo, Norway. He is the author of Design History (Bloomsbury Academic, 2010), the editor of Scandinavian Design (Bloomsbury Academic, 2012) and co-editor of Made in Italy (Bloomsbury Academic, 2013). He is also co-editor of Bloomsbury's Cultural Histories of Design series and an editor of the Journal of Design History.
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Hardcover. Condition: new. Hardcover. Soviet Critical Design is the first book to explore the socialist design practice of artistic projecteering, which was developed by the USSRs Senezh Experimental Studio in the 1960s.Tom Cubbin examines the studio as a site for the development of the design discipline in the optimistic environment of the 1960s Soviet Thaw. He also explores how designers adapted to the fast-changing Soviet Union of the 1970s and 1980s, considering their approach to critical projects highlighting the Soviet states treatment of citizens, urban heritage and public spaces. Drawing on previously unpublished visual material from private archives and also extensive interviews, this book presents a new history of the late socialist period in the USSR, which gives insight into the creative strategies of designers who engaged their practice as a contribution to broader discussions on alternative models for socialist existence. Cubbin shows how artistic projecteering must be read as a utopian activity which privileged the political and ideological over the functional. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781350021990
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Hardcover. Condition: new. Hardcover. Soviet Critical Design is the first book to explore the socialist design practice of artistic projecteering, which was developed by the USSRs Senezh Experimental Studio in the 1960s.Tom Cubbin examines the studio as a site for the development of the design discipline in the optimistic environment of the 1960s Soviet Thaw. He also explores how designers adapted to the fast-changing Soviet Union of the 1970s and 1980s, considering their approach to critical projects highlighting the Soviet states treatment of citizens, urban heritage and public spaces. Drawing on previously unpublished visual material from private archives and also extensive interviews, this book presents a new history of the late socialist period in the USSR, which gives insight into the creative strategies of designers who engaged their practice as a contribution to broader discussions on alternative models for socialist existence. Cubbin shows how artistic projecteering must be read as a utopian activity which privileged the political and ideological over the functional. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781350021990
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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisIntroduction: The Communist SurroundSocialist Objects as Critical DesignThe Communist SurroundThe Language of Soviet DesignLate SocialismConclusion Chapter 1: Art, Technology and Design in the Soviet ThawTechnic. Seller Inventory # 257091931
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