'The Beetle' tells the story of a fantastical creature, ""born of neither god nor man,"" with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siecle London in search of vengeance for the defilement of a sacred tomb in Egypt. Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense. Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann
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The Beetle (1897) tells the story of a fantastical creature, “born of neither god nor man,” with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siècle London in search of vengeance for the defilement of a sacred tomb in Egypt. In imitation of various popular fiction genres of the late nineteenth century, Marsh unfolds a tale of terror, late imperial fears, and the “return of the repressed,” through which the crisis of late imperial Englishness is revealed.
This Broadview edition includes a critical introduction and a rich selection of historical documents that situate the novel within the contexts of fin de siècle London, England’s interest and involvement in Egypt, the emergence of the New Woman, and contemporary theories of mesmerism and animal magnetism.
Julian Wolfreys is a Professor of English at the University of Florida, Gainsville.
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Condition: New. Über den AutorRichard Marsh, a pseudonym used by English author Richard Bernard Heldmann, was born on October 12, 1857, and died on August 9, 1915. Author of numerous best-selling books during the late 19th and early 20th centuries,. Seller Inventory # 447527962
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