About the Author:
Grant Morrison has been working with DC Comics for more than twenty years, beginning with his legendary runs on the revolutionary titles ANIMAL MAN and DOOM PATROL. Since then he has written numerous best-sellers — including JLA, BATMAN and New X-Men — as well as the critically acclaimed creator-owned series THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. Morrison has also expanded the borders of the DC Universe in the award-winning pages of SEVEN SOLDIERS, ALL-STAR SUPERMAN, FINAL CRISIS and BATMAN, INC., and he is currently reinventing the Man of Steel in the all-new ACTION COMICS.
In his secret identity, Morrison is a “counterculture” spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times best-seller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.
From Publishers Weekly:
The mutant child of Alan Moore, Terence McKenna and Robert Anton Wilson, Morrison has emerged as one of only a handful of comics writers with a true voice and vision. He's as fascinated by paranoid conspiracy theories and the Kabbalah as he is by superhero archetypes. They're all played out in this psychedelic science fiction adventure. Like his best-known works The Invisibles and Doom Patrol, this story follows a subterranean organization with terrifying science at its disposal—but in a break from Morrison's previous works, covert government agency the Hand is actually working to maintain the status quo against the mass hallucinations of a society that needs to dream. The story follows Greg Feely, a balding, middle-aged man who wants nothing more than to look at porn and care for his sick cat. It soon emerges that Feely is actually Ned Slade, special negotiator for the Hand. As Feely/Slade tries to decide which personality he really is, he takes on such twisted entities as deviant superman Spartacus Hughes; Anders Klimakks, a porn star with black semen and irresistible pheromones; the Libertania, a giant ocean liner that's its own country; and Dmitri, a deadly communist monkey assassin. Artistic collaborators Weston and Erskine capture this insanity with razor-sharp precision, dead-on characterizations and such memorable vistas as a decaying miniature world and planets covered with machines. The Filth isn't always entirely coherent, but for sheer audacity and density of ideas, it will stand up to many readings.
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