The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
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GREG GIESEKAM sits on the Board with Ankur Productions and was a Senior Lecturer in Theatre Studies at the University of Glasgow, UK until 2006. His publications on contemporary British theatre and contemporary performance art include A Descriptive Catalogue of the Archive of the National Review of Live Art (a reference website cataloguing over 200 performances, talks and installations from 1986-1996) and Luvvies and Rude Mechanicals? Amateur and Community Theatre in Scotland (Scottish Arts Council, 2000).
GREG GIESEKAM sits on the Board with Ankur Productions and was a Senior Lecturer in Theatre Studies at the University of Glasgow, UK until 2006. His publications on contemporary British theatre and contemporary performance art include A Descriptive Catalogue of the Archive of the National Review of Live Art (a reference website cataloguing over 200 performances, talks and installations from 1986-1996) and Luvvies and Rude Mechanicals? Amateur and Community Theatre in Scotland (Scottish Arts Council, 2000).
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Hardcover. Condition: new. Hardcover. The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work The use of film and video is commonplace in contemporary theatre, viewed by some as contaminating theatre's 'liveness', by others as inevitable and desirable. This book charts the impact of developing technologies on practices in sceneography, dramaturgy, and performance, and addresses issues raised by multi-media and intermedia work. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781403916983
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Condition: New. Series: Theatre and Performance Practices. Num Pages: 296 pages, biography. BIC Classification: AJRH; ANH; APF. Category: (UA) A / AS level; (UU) Undergraduate. Dimension: 216 x 138 x 23. Weight in Grams: 486. . 2007. Hardback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781403916983
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Illustrated with case studies from widely studied theatre companies, including the Wooster Group, Robert Lepage and Forced Entertainment Engages students with critical and theoretical questions about the use of multimedia in theatre practiceGREG GIE. Seller Inventory # 458478238
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Buch. Condition: Neu. Staging the Screen | The Use of Film and Video in Theatre | Greg Giesekam | Buch | Einband - fest (Hardcover) | Englisch | 2007 | Bloomsbury 3PL | EAN 9781403916983 | Verantwortliche Person für die EU: Macmillan Education, Tiergartenstr. 17, 69121 Heidelberg, productsafety[at]springernature[dot]com | Anbieter: preigu Print on Demand. Seller Inventory # 133624902
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Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work. Seller Inventory # 9781403916983
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