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Rodenburg, Patsy Speaking Shakespeare ISBN 13: 9781403965400

Speaking Shakespeare - Softcover

 
9781403965400: Speaking Shakespeare
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In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this "a simple manual to start the journey into the heart of Shakespeare," and that is what she gives us. With the same insight she displayed in The Actor Speaks, Rodenburg tackles the playing of all Shakespeare's characters. She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have.

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About the Author:

Patsy Rodenburg is the Director of Voice at London's Royal National Theater and the Guildhall School of Music and Drama. She is the author of The Actor Speaks (Palgrave Macmillan 2000).

From Library Journal:
By exploring the mechanics of Shakespeare's writing, these books clearly illustrate how to speak and understand his texts and ultimately break down the language barrier. Both cover the bard's powerful iambic pentameter and its effect on pronunciation, the irregularities that reveal the emotional and psychological state of each character, and how each word works in relation to another concerning prose, verse, blank verse, and rhyming verse. Scheeder, founder and director of the Classical Studio at New York University, and Younts, professor of the techniques of voice and text at the same institution, present a highly useful pronunciation dictionary, supplemented by a glossary that defines character names, places, and unfamiliar words. They use the International Phonetics Alphabet, respell vowels in their key to pronunciation, and intricately mark in scansion each word. When a word can be pronounced two different ways, they indicate both followed by the play, the act, and the scene in which each form is used. Rodenburg, director of voice at London's Royal National Theatre, divides her training guide into four parts, offering practical exercises that aid in comprehending the speeches that define a character's mental state and intentions. Her book uses two guideposts: the givens (including the word, the line, rhyme, and the story) and the imaginative connections necessary to make a piece engaging to both the actor and the audience. Many books exist to help actors approach Shakespeare's works, but they tend toward more general overviews. Both of these books are rich with information and nicely focused. Recommended for academic and larger public libraries. Elizabeth Stifter, Brooklyn, NY
Copyright 2002 Reed Business Information, Inc.

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  • PublisherSt. Martin's Griffin
  • Publication date2004
  • ISBN 10 1403965404
  • ISBN 13 9781403965400
  • BindingPaperback
  • Edition number1
  • Number of pages368
  • Rating

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