Edward Lear (1812-1888) was an English artist, illustrator and writer known for his literary nonsense, in poetry and prose, and especially his limericks, a form which he popularised. At the age of 19 his first Illustrated work Family of Psittacidae; or, Parrots was published in 1830. His paintings were well received and he was favourably compared with Audubon. In 1846 Lear published A Book of Nonsense, a volume of limericks which went through three editions and helped popularise the form. In 1865 The History of the Seven Families of the Lake Pipple-Popple was published, and in 1867 his most famous piece of nonsense, The Owl and the Pussycat, which he wrote for the children of his patron Edward Stanley, 13th Earl of Derby. Many other works followed. His nonsense works are distinguished by a facility of verbal invention and a poet's delight in the sounds of words, both real and imaginary.
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Edward Lear (12 May 1812 – 29 January 1888) was an English artist, illustrator, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a (minor) illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense works, which use real and invented English words.
Kindergarten-Grade 6. Willey's luminous mixed-media illustrations accompany four of Edward Lear's familiar nonsense poems: "The Owl and the Pussycat," "The Jumblies," "The Pobble Who Has No Toes," and "The Quangle Wangle's Hat." These poems are likely to be found in most collections, including Myra Cohn Livingston's How Pleasant to Know Mr. Lear! (Holiday, 1982; o.p.) and The Pelican Chorus (HarperCollins, 1995) with Fred Marcellino's masterfully joyous illustrations. However, Willey's quirky style does seem suited to the poet's sort of nonsense. Her Pobble and Jumblies, like Lear's vocabulary, are both outlandish and believable. A book in tune with its subject matter.?Kathleen Whalin, Greenwich Country Day School, CT
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